Milly: At Love's Extremes; A Romance of the SouthlandThompson, Maurice
Philosophy
Milly: At Love's Extremes; A Romance of the Southland
Thompson, Maurice
Southern States -- Fiction
"Oh, I'm all right; I don't mean to do any thing diabolical, I'm too
happy for that; give me another cigar, mine are locked up in my bag."
He pulled himself together as he spoke, and laughed in a way so
careless and natural that Moreton felt a sense of disappointment at
having inwardly to acknowledge himself baffled, if not mistaken.
They smoked and talked until late, enjoying the lulling coolness of
the night air coming in at the open windows. Reynolds was
exceedingly cheerful, and when they separated for the night he said:
"If you have as sweet dreams as I expect to indulge in to-night, tell
me in the morning, will you? Good night."
But Moreton, who slept lightly, awoke now and then, and heard him
walking to and fro all the rest of the night.
CHAPTER XII.
A BIT OF LOVE MAKING.
The party at General DeKay's broke up gradually, some of the
sportsmen going away on the morning of the day following the quail
shoot, the rest taking their departure in groups or singly, as
business necessitated or a sense of propriety dictated. At last the
Nobles, the Beresfords, Miss Crabb, Reynolds and Moreton were the
favored remnant, lingering at the old plantation to enjoy, as long as
possible, the sweets of its almost arcadian life.
Notwithstanding the great change wrought by the war, the DeKays had
been able to hold on to a picturesque residuum of their former wealth
and to keep up a fair show of that hospitality which had once been
almost unlimited. The guests of the mansion felt the perfect freedom
given them, and so the days went by without a circumstance to hinder
their enjoyment of every moment.
Uncle Mono was a source of great amusement to every body; his banjo,
his songs, his stories, his peculiar philosophy and that
individuality of thought and expression, so often exhibited by old
negroes, making him especially interesting to Moreton and Miss Crabb.
His life had been so saturated with slavery's influences that
freedom, coming to him after he had passed the meridian of life, had
not been able to change him much.
Along with his other gifts, Uncle Mono was a fortune-teller whose
fame held the admiration and the awe of all the negroes at highest
strain. He could tell when it was going to rain and when the wind
was going to change as well as he could predict the kind of
sweetheart the future would bring to the inquiring youth or maiden.
In fact he was the seventh son of a seventh son, and not a drop of
white-man's blood ran in his veins.
"I's pyo' blood dahky f'om away back," he was fond of saying. "None
yo' yaller niggah 'bout me. Nuffin' I 'spises mo' 'n one o' dese yer
no' 'count clay-faced merlatters. Steal! Dey des steal de sole of
'm yo' shoes! No sah, I's pyo' blood dahky."
Public-domain text, read in full here on John Shaqi.
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