Opening out of this, there was a large airy bedroom, with three windows
commanding that glorious view of moorland and sea; and beyond that, a
dainty little dressing-room. The next door in the corridor opened into
the room that had been allotted to me; a large comfortable-looking
room, in which there was an old-fashioned mahogany four-post bed with
blue-damask curtains.
I went to Milly's dressing-room when my own simple toilet was finished,
and stood by the open window talking to her while she arranged her
hair. She dismissed her little maid directly I went into the room, and
I felt she had something to say to me.
'Well, Mary,' she began at once, 'what do you think of her?'
'Of Mrs. Darrell?'
'Of course.'
'What opinion can I possibly form about her, after seeing her for three
minutes, Milly? I think she is very elegant-looking. That is the only
idea I have about her yet.'
'Do you think she looks _true_, Mary? Do you think she has married papa
because she loves him?'
'My dear child, how can I tell that? She is a great many years younger
than your papa, but I do not see that the difference between them need
be any real hindrance to her loving him. He is a man whom any woman
might care for, I should think; to say nothing of her natural gratitude
towards the man who has rescued her from a position of dependence.'
'Gratitude is all nonsense,' Miss Darrell answered impatiently. 'I want
to know that my father is loved as he deserves to be loved. I shall
never tolerate that woman unless I can feel sure of that.'
'I believe you are prejudiced against her already, Milly,' I said
reproachfully.
'I daresay I am, Mary. I daresay I feel unjustly about her; but I don't
like her face.'
'What is there in her face that you don't like?'
'O, I can't tell you that--an undefinable something. I have a sort of
conviction that she and I can never love each other.'
'It is rather hard upon Mrs. Darrell to begin with such a feeling as
that, Milly.'
'I can't help it. Of course I shall try to do my duty to her, for
papa's sake, and I shall do my best to conquer all these unchristian
feelings. But we cannot command our hearts, you know, Mary, and I don't
think I shall ever love my stepmother.'
She took me down to the drawing-room after this. It was half-past six,
and we were to dine at seven. The drawing-room was a long room, with
five windows opening on to the terrace, an old-fashioned-looking room
with panelled walls and a fine arched ceiling. The wainscot was painted
white, with gilt mouldings, and the cornice and architraves of the
doors were elaborately carved. The furniture was white-and-gold like
the walls, and in that spurious classical style which prevailed during
the first French Empire. The window-curtains and coverings of sofas and
chairs were of dark-green velvet.
Public-domain text, read in full here on John Shaqi.
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