Milton, John, 1608-1674; Poets, English -- Early modern, 1500-1700 -- Biography
them who sail
Beyond the Cape of Hope, and now are past
Mozambic, off at sea north-east winds blow
Sabaean odours from the spicy shore
Of Araby the Blest, with such delay
Well pleased they slack their course, and many a league
Cheered with the grateful smell old Ocean smiles;
So entertained those odorous sweets the Fiend.
And when he draws near to Eve in the rose-thicket,
sidelong he works his way,
As when a ship, by skilful steersman wrought,
Nigh river's mouth, or foreland, where the wind
Veers oft, as oft so steers, and shifts her sail.
There is nothing here that is not within the reach of any inland reader,
but Milton's choice of nautical similitudes may serve to remind us how
much of the interest of Old London centred round its port. Here were to
be heard those tales of far-sought adventure and peril which gave even to
the boisterous life of Elizabethan London an air of triviality and
security. Hereby came in "the variety of fashions and foreign stuffs,"
which Fynes Moryson, writing in Milton's childhood, compares to the stars
of heaven and the sands of the sea for number. All sorts of characters,
nationalities, and costumes were daily to be seen in Paul's Walk,
adjoining Milton's school. One sort interests us pre-eminently. "In the
general pride of England," says Fynes Moryson, "there is no fit
difference made of degrees; for very Bankrupts, Players, and Cutpurses go
apparelled like gentlemen." Shakespeare was alive during the first seven
years of Milton's life, and was no doubt sometimes a visitor to the
Mermaid, a stone's throw from the scrivener's house. Perhaps his cloak
brushed the child Milton in the street. Milton was born in the golden age
of the drama, and a score of masterpieces were put upon the London stage
while he was in his cradle. But the golden age passed rapidly; the
quality of the drama degenerated and the opposition to it grew strong
before he was of years to attend a play. Perhaps he never saw a play by
the masters during his boyhood, and his visits
to the well-trod stage anon,
If Jonson's learned sock be on,
Or sweetest Shakespeare, Fancy's child,
Warble his native woodnotes wild,
Public-domain text, read in full here on John Shaqi.
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