Milton, John, 1608-1674; Poets, English -- Early modern, 1500-1700 -- Biography
"The plan of _Paradise Lost_" says Johnson, "has this inconvenience, that
it comprises neither human actions nor human manners. The man and woman
who act and suffer are in a state which no other man and woman can ever
know. The reader finds no transaction in which he can be engaged; beholds
no condition in which he can by any effort of imagination place himself;
he has, therefore, little natural curiosity and sympathy." Milton, he
goes on to explain, "knew human nature only in the gross, and had never
studied the shades of character, nor the combinations of concurring or
the perplexity of contending passions."
He knew human nature only in the gross. He treated nothing less momentous
than the fortunes of the race. It is precisely from this cause that the
incomparable grandeur of Milton's characters and situations springs. The
conversations that he records are like international parleyings. Eve is
the official Mother of mankind. Adam walks forth to meet the angel, in
ambassadorial dignity, the accredited representative of the human race--
Without more train
Accompanied than with his own complete
Perfections; in himself was all his state,
More solemn than the tedious pomp that waits
On princes, when their rich retinue long
Of horses led and grooms besmeared with gold
Dazzles the crowd and sets them all agape.
And if the other characters of _Paradise Lost_ have this generic stamp,
it is because the chief character of all has it--the character of the
poet himself. It lends a strange dignity to the story of Milton's life
that in all his doings he felt himself to be a "cause," an agent of
mighty purposes. This it is that more than excuses, it glorifies, his
repeated magniloquent allusions to himself throughout the prose works.
Holding himself on trust or on commission, he must needs report himself,
not only to his great Taskmaster, but also from time to time to men, his
expectant and impatient beneficiaries. Even in _Lycidas_ he is thinking
of himself as much as of his dead companion--
So may some gentle Muse
With lucky words favour _my_ destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud.
Public-domain text, read in full here on John Shaqi.
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