Milton, John, 1608-1674; Poets, English -- Early modern, 1500-1700 -- Biography
More safe I sing with mortal voice, unchanged
To hoarse or mute, though fallen on evil days,
On evil days though fallen, and evil tongues,
In darkness, and with dangers compassed round,
And solitude; yet not alone, while thou
Visit'st my slumbers nightly, or when Morn
Purples the East. Still govern thou my song,
Urania, and fit audience find, though few.
Then the noise that he had heard, in imagination only, thirty years
earlier, assails his bodily ears; as evening sets in, the wonted roar is
up, not in the wild woods of fancy inhabited by the sensual magician and
his crew, but in the unlighted streets of Restoration London, as a chorus
of cup-shotten brawlers goes roaring by. The king is enjoying his own
again; and the poet, hunted and harassed in his last retreat, raises his
petition again to the Muse whom he had invoked at the beginning of his
task,--not Clio nor her sisters, but the spirit of heavenly power and
heavenly wisdom; his mind reverts to that story of Orpheus which had
always had so singular and personal a fascination for him; of Orpheus,
who, holding himself aloof from the mad amorists of Thrace, was by them
torn to pieces during the orgy of the Dionysia, and sent rolling down the
torrent of the Hebrus; and he prays to his goddess and guardian--
But drive far off the barbarous dissonance
Of Bacchus and his revellers, the race
Of that wild rout that tore the Thracian bard
In Rhodope, where woods and rocks had ears
To rapture, till the savage clamour drowned
Both harp and voice; nor could the Muse defend
Her son. So fail not thou, who thee implores;
For thou art heavenly, she an empty dream.
Public-domain text, read in full here on John Shaqi.
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