Causes other than the inherent faults of the poem long continued to weigh down the reputation of _Paradise Lost_. In Great Britain the sense for art, poetry, literature, is confined to a few, while our political life has been diffused and vigorous. Hence all judgment, even upon a poet, is biassed by considerations of party. Before 1688 it was impossible that the poet, who had justified regicide, could have any public beyond the suppressed and crouching Nonconformists. The Revolution of 1688 removed this ban, and from that date forward the Liberal party in England adopted Milton as the republican poet. William Hogg, writing in 1690, says of _Paradise Lost_ that "the fame of the poem is spread through the whole of England, but being written in English, it is as yet unknown in foreign lands." This is obvious exaggeration. Lauder, about 1748, gives the date exactly, when he speaks of "that infinite tribute of veneration that has been paid to him _these sixty years past_." One distinguished exception there was. Dryden, royalist and Catholic though he was, was loyal to his art. Nothing which Dryden ever wrote is so creditable to his taste, as his being able to see, and daring to confess, in the day of disesteem, that the regicide poet alone deserved the honour which his cotemporaries were for rendering to himself. Dryden's saying; "This man cuts us all out, and the ancients too," is not perfectly well vouched, but it would hardly have been invented, if it had not been known to express his sentiments. And Dryden's sense of Milton's greatness grew with his taste. When, in the preface to his _State of Innocence_ (1674), Dryden praised _Paradise Lost_, he "knew not half the extent of its excellence," John Dennis says, "as more than twenty years afterwards he confessed to me." Had he known it, he never could have produced his vulgar parody, _The State of Innocence_, a piece upon which he received the compliments of his cotemporaries, as "having refined the ore of Milton." With the one exception of Dryden, a better critic than poet, Milton's repute was the work of the Whigs. The first _édition de luxe_ of _Paradise Lost_ (1688) was brought out by a subscription got up by the "Whig leader, Lord Somers. In this edition Dryden's pinchbeck epigram so often quoted, first appeared-- Three poets in three distant ages born, &c. It was the Whig essayist, Addison, whose papers in the _Spectator_ (1712) did most to make the poem popularly known. In 1737, in the height of the Whig ascendancy, the bust of Milton penetrated Westminster Abbey, though, in the generation before, the Dean of that day had refused to admit an inscription on the monument erected to John Phillips, because the name of Milton occurred in it.