Low as learning had sunk in England in 1750, Hogg's Latin _Paradisus amissus_ was just the book, which tutors of colleges who could teach Latin verses had often in their hands. Mr. Bowle, a tutor of Oriel College, Oxford, immediately recognised an old acquaintance in one or two of the interpolated lines. This put him upon the scent, he submitted Lauder's passages to a closer investigation, and the whole fraud was exposed. Johnson, who was not concerned in the cheat, and was only guilty of indolence and party spirit, saved himself by sacrificing his comrade. He afterwards took ample revenge for the mortification of this exposure, in his _Lives of the Poets_, in which he employed all his vigorous powers and consummate skill to write down Milton. He undoubtedly dealt a heavy blow at the poet's reputation, and succeeded in damaging it for at least two generations of readers. He did for Milton what Aristophanes did for Socrates, effaced the real man and replaced him by a distorted and degrading caricature. It was again a clergyman to whom Milton owed his vindication from Lauder's onslaught. John Douglas, afterwards bishop of Salisbury, brought Bowle's materials before the public. But the high Anglican section of English life has never thoroughly accepted Milton. R.S. Hawker, vicar of Morwenstow, himself a poet of real feeling, gave expression, in rabid abuse of Milton, to the antipathy which more judicious churchmen suppress. Even the calm and gentle author of the _Christian Year_, wide heart ill-sorted with a narrow creed, deliberately framed a theory of Poetic for the express purpose, as it would seem, of excluding the author of _Paradise Lost_ from the first class of poets. But a work such as Milton has constructed, at once intense and elaborate, firmly knit and broadly laid, can afford to wait. Time is all in its favour, and against its detractors. The Church never forgives, and faction does not die out. But Milton has been, for two centuries, getting beyond the reach of party feeling, whether of friends or foes. In each national aggregate an instinct is always at work, an instinct not equal to exact discrimination of lesser degrees of merit, but surely finding out the chief forces which have found expression in the native tongue. This instinct is not an active faculty, and so exposed to the influences which warp the will, it is a passive deposition from unconscious impression. Our appreciation of our poet is not to be measured by our choosing him for our favourite closet companion, or reading him often. As Voltaire wittily said of Dante, "Sa reputation s'affirmera toujours, parce qu'on ne le lit guère." We shall prefer to read the fashionable novelist of each season as it passes, but we shall choose to be represented at the international congress of world poets by Shakespeare and Milton; Shakespeare first, and next MILTON.