This is one of the autobiographical cases in these pamphlets, which are otherwise arid deserts of sand, scorched by the fire of extinct passion. It may be asked why it is that a few men, Gibbon or Milton, are indulged without challenge in talk about themselves, which would be childish vanity or odious egotism in others. When a Frenchman writes, "Nous avons tous, nous autres Français, des séduisantes qualités"(Gaffarel), he is ridiculous. The difference is not merely that we tolerate in a man of confessed superiority what would be intolerable in an equal. This is true; but there is a further distinction of moral quality in men's confessions. In Milton, as in Gibbon, the gratification of self-love, which attends all autobiography, is felt to be subordinated to a nobler intention. The lofty conception which Milton formed of his vocation as a poet, expands his soul and absorbs his personality. It is his office, and not himself, which he magnifies. The details of his life and nurture are important, not because they belong to him, but because he belongs, by dedication, to a high and sacred calling. He is extremely jealous, not of his own reputation, but of the credit which is due to lofty endeavour. We have only to compare Milton's magnanimous assumption of the first place with the paltry conceit with which, in the following age of Dryden and Pope, men spoke of themselves as authors, to see the wide difference between the professional vanity of successful authorship and the proud consciousness of a prophetic mission. Milton leads a dedicated life, and has laid down for himself the law that "he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem." If Milton had not been the author of _Lycidas_ and _Paradise Lost_, his political pamphlets would have been as forgotten as are the thousand civil war tracts preserved in the Thomason collection in the Museum, or have served, at most, as philological landmarks. One, however, of his prose tracts has continued to enjoy some degree of credit down to the present time, for its matter as well as for its words, _Areopagitica_. This tract belongs to the year 1644, the most fertile year in Milton's life, as in it he "brought out two of his divorce tracts, the _Tractate of Education_, and the _Areopagitica_. As Milton's moving principle was not any preconceived system of doctrine but the passion for liberty in general, it was natural that he should plead, when occasion called, for liberty of the press, among others. The occasion was one personal to himself.