This is an innocent masquerade! If Marathon prefers not to call a flivver a flivver, I shall not expostulate. And yet this quaint subterfuge should not be carried quite so far. Stone walls are made for sunny lounging; yet stone walls in Marathon are built with uneven vertical projections to discourage the sedentary. Nothing is more delightful than a dog; but there are no dogs in Marathon. They are all airedales or spaniels or mastiffs. If an ordinary dog should wag his tail up our street the airedales would cut him dead. Bless me, Nature herself has taken to the same insincerity. The landscape round Marathon is lovely, but it has itself well in hand. The hills all pretend to be gentle declivities. There is a beautiful little sheet of water, reflecting the trailery of willows, a green salute to the eye. In a robuster community it would be a swimming hole--but with us, an ornamental lake. Only in one spot has Nature forgotten herself and been so brusque and rough as to jut up a very sizable cliff. This is the loveliest thing in Marathon: sunlight and shadow break and angle in cubist magnificence among the oddly veined knobs and prisms of brown stone. Yet this cliff or quarry is by common consent taboo among us. It is our indelicacy, our indecency. Such "residences" as are near modestly turn their kitchens toward it. Only the blacksmith and the gas tanks are hardy enough to face this nakedness of Mother Earth--they, and excellent Pat Lemon, Marathon's humblest and blackest citizen, who contemplates that rugged and honest beauty as he tills his garden on the land abandoned by squeamish burghers. That is our Aceldama, our Potter's Field, only approached by the athletic, who keep their eyes from Nature's indiscretion by vigorous sets of tennis in the purple shadow of the cliff.