Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"Loomis, Charles Battell
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Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"
Loomis, Charles Battell
Country life -- Fiction; Household employees -- Fiction; Humorous stories; Married people -- Fiction; New England -- Fiction
THE next day we were all awakened by one of Minerva’s morning
songs, but it was such a morning—the air was so bracing and
fragrant, the sun so mellow, and yet not too hot, that not one
of us felt that the song was out of place, and all four met on
the porch a good half hour before breakfast.
“Well, Ellery, this is a great day to work. How would an epic do
and we’ll delay luncheon a half hour, so that you can finish
it.”
Ellery looked over the waving, billowing meadows. Then he looked
at Cherry, rosy and vibrant with animation.
“I believe it’s going to do me more good if I lay off for a few
days and get charged with some of this air.”
We all shrieked gaily at him.
“We could have told you so last night,” said Ethel.
“I did tell him so,” said I. “Here’s where you store up mental
energy, but you might as well try to write at sea as to try to
write up here. Let’s go put up the tennis net.”
“Oh, all right,” said Ellery. “I was going to ask Miss Paxton if
she wouldn’t show me around the place a little. Have we time
before breakfast?”
“Yes,” said Ethel, “but don’t go too far. Minerva’s going to
have griddle cakes and real maple syrup and they need to be
eaten hot.”
When the two had sauntered off I said to Ethel,
“You’re a romantic soul with your griddle cakes. Don’t you see
those two? In the language of the day, Ellery is stung.”
“Imagine him married.”
“It would be the finest thing for him that ever happened. He
might amount to something with a wife to look after him.”
“It doesn’t _always_ work,” said Ethel, saucily.
“Better four hundred a year where love is—” I began.
“Than a stalled ox and hatred therewith,” concluded Ethel.
“Something like that. Four hundred a year with love is a large
order. She’d better wait until Ellery is famous. But perhaps
we’d better not hurry them along. She’s interested in him
because he has talent and is unrecognized, and he’s interested
in her because he has talent and she recognized it, but I don’t
believe but that you could buy him off with a mess of pottage—”
“Or some griddle cakes. There’s the bell now. You call them.”
I called “Breakfast’s ready,” although the two were out of
sight, and my call was answered by an “Arl right. I’m just in
time.”
“Who was that?” said Ethel in some dismay.
“Sounded something like ‘th’ ould scut,’” said I, for by that
name our friend Casey had come to be known.
It proved to be he, bare-footed and hatless, coming to us across
the fields.
“Good marnin’, ’tis a hell of a fine day.”
“Yes, it is,” said I, “although your language is somewhat
strong.”
Public-domain text, read in full here on John Shaqi.
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