Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"Loomis, Charles Battell
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Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"
Loomis, Charles Battell
Country life -- Fiction; Household employees -- Fiction; Humorous stories; Married people -- Fiction; New England -- Fiction
THE next morning broke with an east wind blowing and a wet rain
falling, but Ethel said that the two days in the country had
made her feel like a different woman already, so I did not mind
the rain, although a rainy day in the country, unless one be
well fortified, either by inner grace or outer books and the
good things of life, is apt to be a dreary affair.
Breakfast was delicious. We have never had a cook who had so
much—well, you might call it temperament, as Minerva has. She
will toss off a roll with the lightness that makes it a work of
art, and her fried chicken is better than the broiled chicken of
most cooks.
Ethel already better, and the breakfast such a poem: why, I felt
that I was to be envied, and I wondered how people could be
content to spend their summers on alien piazzas, eating hotel
dinners and watching hotel dwellers dress and pose and gossip.
There had been no more bats in Minerva’s belfry, and as she had
always seemed like a sensible girl in the city, I made up my
mind that she was reconciled to the country and that in a few
days she would begin to have very much the same feeling for it
that we have—for Ethel and I were born in the city, and the
country is an acquired taste with us.
But while I was browsing around in the Wheelocks’ library, Ethel
came to me and said:
“The worst has happened, Philip. Minerva says she won’t
stay—that she just can’t. She wants you to get a horse and take
her to the station right away.”
I laid down my book with a sigh. “What’s the matter now?” said
I. “More wild animals?”
“No, it’s the rain and the east wind. She says the moaning of it
through the shutters is awful and she can’t stand it.”
“Might have known it,” said I, bitterly. “I might have known it.
You’re beginning to feel better and the worst seems to be over,
and then Minerva plays her trump card and takes the cake.”
My metaphors were sadly mixed, but I didn’t care. I was not at
that moment trying to construct logical metaphors. I foresaw
what would happen if Minerva left and Ethel went into the
kitchen permanently. A sanitarium for her and I an enforced
bachelor in some city room—for we had let our flat for the
summer.
Public-domain text, read in full here on John Shaqi.
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