Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"Loomis, Charles Battell
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Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"
Loomis, Charles Battell
Country life -- Fiction; Household employees -- Fiction; Humorous stories; Married people -- Fiction; New England -- Fiction
And yet we writers of—novels—do rush on before the first chapter has
been reached and sometimes we tell how it is going to end and sometimes
we give the names of the authorities from whom we lifted our central
idea, and sometimes we strike an attitude of timid uncertainty and
bespeak the indulgence of the reader—but always without response of any
kind.
Not a hand, not a cry of “Author”: nothing but the gray asbestos curtain
of silence.
Of course there are cases when a book runs into the “six best selling
class” and people get into the habit of buying it and the habit is not
broken for weeks and weeks; and then, after the twentieth edition is
exhausted the author comes out with a “Preface to the twenty-first
edition,” and as he smells the fragrance of the bouquets that the
critics have handsomely handed out and hears the plaudits of those who
have thronged to read him he says brokenly, “I thank you. You have
raised me from a point where I was living on my brother in the front row
to a position where I can take my pick of motor cars” (Not automobiles,
mind you), “and while I never thought of money while I was writing the
book, now I both think and have a good deal of it. Thank you! Thank
you!”
But I, (rather than not come out at all) am going to squeeze before the
gray asbestos and say “Thank you. Critics, readers; gentle and
otherwise, I thank you from the bottom of my heart.
“If there is anything good in this book, believe me it is the characters
who are responsible for it.
“And let me take this occasion to say that the book would never have
been written if I had not been encouraged by one who has the faculty of
making a man do his best. She is here to-night, but I am not permitted
to mention her.
“I have had great fun writing ‘Minerva’s Manœuvres,’ and this is really
the proudest moment of my life. (Cheers.) My heroine, Minerva, is a good
girl and I can give her a fine character if she should ever seek a
place—in your hearts.
“Thank you! Thank you!”
(Curtain goes up.)
C. B. L.
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CONTENTS.
Public-domain text, read in full here on John Shaqi.
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