Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature" — John Shaqi
Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"Loomis, Charles Battell
General
Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"
Loomis, Charles Battell
Country life -- Fiction; Household employees -- Fiction; Humorous stories; Married people -- Fiction; New England -- Fiction
“Very like a bear,” said I. “Well, it’s lucky you weren’t hurt.
You can thank the cow that you didn’t break your back. I hope
you didn’t break hers.”
She went off into yells of laughter at this mild bit of humour,
and cheerfulness now being restored, I thanked Bert for giving
me a lift and told him I didn’t care to go any farther.
He left us and we went on picking berries, and before the pail
was full Minerva had a chance to pat the fearsome beast that had
so nearly frightened her to death. Now that she knew it was
merely a cow, the source of the milk and cream of which she was
so fond, she had no fear at all, being in that respect different
from Ethel, who in the beginning had feared cows because they
were cows, just as certain other women fear mice because they
are mice, and as Lord Roberts fears a cat because it is a cat
and not “the enemy.”
The whistle at the Wharton Paper Mill told us it was twelve
o’clock, and like hungry mill hands we started for home. Minerva
walked ahead with both pails, and Ethel and I followed.
Half way up Minerva burst into song.
“How volatile!” said I.
“The worst is over. We’ll have no more trouble with her,” said
Ethel.
So lightly do we attempt to read the future.
------------------------------------------------------------------------
CHAPTER VIII
THE ’CORDEEN COMES.
THAT afternoon Bert brought an express package to Minerva.
To _her_ it was a package of sunlight.
In _fact_ it was the accordeon.
As soon as Minerva opened the bundle she stopped cooking dinner
and began to play on her beloved instrument. Such sounds I had
hoped never to hear again, and I went out into the kitchen and
told her that I was sorry, but that I could not stand it in the
house.
She looked up from the instrument, and there was a world of
appeal in her eyes. I had never seen so much expression in them.
Music certainly had power over her.
“Oh, Mist. Vernon, it’ll be dark after the dishes is washed, an’
I don’ dah go in the woods,” said she. “I’ll play sof’.”
“Yes, but you’ll delay dinner.”
She actually came over and laid her brown hand on my sleeve.
“Mist. Vernon,” said she, in honey tones, “I’m on’y gettin’
dinner at five to please myse’f. If I git it at six Mis. Vernon
will like it better. She said so. I won’t play long.”
But I was determined not to listen to such music as that in the
house. So I went out doors.
Ethel was sitting at the window of her bedroom. When she saw me
she put her hands to her ears and made a grimace.
I made signs to her to come down.
Public-domain text, read in full here on John Shaqi.
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