Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"Loomis, Charles Battell
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Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"
Loomis, Charles Battell
Country life -- Fiction; Household employees -- Fiction; Humorous stories; Married people -- Fiction; New England -- Fiction
Minerva was sitting on the ground, listening intently.
“What’s dem noises?” said she; “Oh, dis ain’ no place for me.
Heah dem moanin’s in de grass.”
“Dem moanin’s in de grass” were bull frogs in a little pond not
far away, but I dare say she pictured the meadows as full of
people who had been enticed from the city and were now expiring
under the evening sky, far from their friends.
I explained what the noise was and she returned to the kitchen,
while I resumed consumption of my cigar and Ethel returned to
her room, but in a few minutes:
“Mis. Vernon. Mis. Vernon. Ain’t there no more lights?”
Ethel had dropped asleep, so I went out into the kitchen.
Minerva had lighted two lamps, and to me the kitchen looked like
a ball room, it was so light, but the dusky maid from the
Metropolis was seeing New York in her mind’s eye, and two
kerosene lamps did not take the place of the firmament of gas
and electric lights to which she had been used all her life.
“It is the first night and I will humour her,” thought I, and so
I brought out a lamp from the parlour and another from the
sitting room. I had the light from my cigar and needed no other.
When all four lamps had united to cast their radiance upon the
kitchen Minerva was satisfied and thanked me in a die-a-way tone
that, being interpreted, meant “Give me back New York with its
crowds, and its noise and its glitter and its entertaining
‘gentlemen’ and its ice cream and soda.” Poor Minerva! Our joy
and happiness came from the very things that were the
abomination of desolation to her.
Meanwhile Ethel awoke from her nap and came down stairs. “Mercy,
how dark it is. Why didn’t you light a lamp? Where are you,
Philip?”
“I’m out on the piazza. Come out?”
“No, dear, I want to finish that story of Mrs. Everard Cotes’.
I’m fascinated with it.”
“Ethel, come here,” said I, in a tone full of meaning.
She felt her way out.
“Minerva needed the gleam of many lights in the kitchen and I’ve
plucked a lamp from every room. You’ll tire your eyes reading.
Come and sit with me.”
Ethel gave a little chuckle and sat down in the chair I
provided.
“Dear, it will end by our becoming her slaves.”
“Anything to keep her,” said I. “Who wants a light but the great
light of stars. I suppose that to-night on all this broad
continent there is no soul so wretched as poor Minerva, deprived
of her elevator man and the girl across the hall—and all, that
we may live in comfort. Who are we, Ethel, that we should do
this thing?”
“Oh, stop your nonsense. Minerva will be all right when the sun
shines.”
Public-domain text, read in full here on John Shaqi.
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