Mingo, and Other Sketches in Black and White — John Shaqi
Mingo, and Other Sketches in Black and WhiteHarris, Joel Chandler
General
Mingo, and Other Sketches in Black and White
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction
Upon this particular occasion church services were to extend into the
afternoon, and there was an interval of rest after the morning sermon,
covering the hour of noon. This interval was devoted by both old and
young to the discussion of matters seriously practical. The members of
the congregation had brought their dinner baskets, and the contents
thereof were spread around under the trees in true pastoral style.
Those who came unprovided were, in pursuance of an immemorial custom of
the section and the occasion, taken in charge by the simple and hearty
hospitality of the members.
Somehow I was interested in watching Mingo. As he passed from the
church with the congregation, and moved slowly along under the trees,
he presented quite a contrast to the other negroes who were present.
These, with the results of their rural surroundings superadded to the
natural shyness of their race, hung upon the outskirts of the assembly,
as though their presence was merely casual, while Mingo passed along
from group to group of his white friends and acquaintances with that
familiar and confident air of meritorious humility and unpretentious
dignity which is associated with good-breeding and gentility the world
over. When he lifted his hat in salutation, there was no servility in
the gesture; when he bent his head, and dropped his eyes upon the
ground, his dignity was strengthened and fortified rather than
compromised. Both his manners and his dress retained the flavour of a
social system the exceptional features of which were too often by both
friend and foe made to stand for the system itself. His tall beaver,
with its curled brim, and his blue broadcloth dress-coat, faded and
frayed, with its brass buttons, bore unmistakable evidence of their age
and origin, but they seemed to be a reasonable and necessary
contribution to his individuality.
Passing slowly through the crowd, Mingo made his way to a double-seated
buggy shielded from all contingencies of sun and rain by an immense
umbrella. Prom beneath the seat he drew forth a large hamper, and
proceeded to arrange its contents upon a wide bench which stood near.
While this was going on I observed a tall angular woman, accompanied by
a bright-looking little girl, making her way toward Mingo's buggy. The
woman was plainly, oven shabbily, dressed, so that the gay ribbons and
flowers worn by the child were gaudy by contrast. The woman pressed
forward with decision, her movements betraying a total absence of that
undulatory grace characteristic of the gentler sex, while the little
girl dancing about her showed not only the grace and beauty of youth,
but a certain refinement of pose and gesture calculated to attract
attention.
Mingo made way for these with ready deference, and after a little I saw
him coming toward me. He came forward, shook hands, and remarked that
he had brought me an invitation to dine with Mrs. Feratia Bivins.
Public-domain text, read in full here on John Shaqi.
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