l. 16 'the' for 'thy'; and in the closing distich '_Thus_ let
me not' and '_Either_ or both'. The interest of this piece is
almost wholly centred on the penultimate line, which, being an
evident and intended contradiction to
Amare liceat si potiri non licet,
gives us at once the connexion, in Stanley's mind, with that
strange, Mrs. Grundy-shocking, but 'insolent and passionate'
piece which is attributed, credibly enough, to Apuleius, but
rather less credibly as a latinizing of Menander's [Greek:
_Anechomenos_]. The contrast of the sensuous fire of this
with Stanley's rather vapid and languid metaphysicalities is a
notable one.]
_Song._
Faith, 'tis not worth thy pains and care
To seek t' ensnare
A heart so poor as mine:
Some fools there be
Hate liberty,
Whom with more ease thou mayst confine.
Alas! when with much charge thou hast
Brought it at last
Beneath thy power to bow,
It will adore 10
Some twenty more,
And that, perhaps, you'll not allow.
No, Chloris, I no more will prove
The curse of love,
And now can boast a heart
Hath learn'd of thee
Inconstancy,
And cozen'd women of their art.
[_Song._]
[Lines: 2, 3. The quality and value of _1656_ are again well
illustrated by its readings of 'inspire' for 'ensnare' and
'pure' for 'poor'.]
_Expectation._
Chide, chide no more away
The fleeting daughters of the day,
Nor with impatient thoughts outrun
The lazy sun,
Or think the hours do move too slow;
Delay is kind,
And we too soon shall find
That which we seek, yet fear to know.
The mystic dark decrees
Unfold not of the Destinies, 10
Nor boldly seek to antedate
The laws of Fate;
Thy anxious search awhile forbear,
Suppress thy haste,
And know that Time at last
Will crown thy hope or fix thy fear.
[_Expectation._] There is a suggestion here of John
Hall's beautiful _Call_ ('Romira, stay'), and the two pieces
appeared so close together that it is difficult to say which
may have been the first. Perhaps the resemblance was what made
Stanley omit it in _1651_. In l. 5 _1656_ reads '_N_or'.]
1651 POEMS
THE DEDICATION
_To Love._
Public-domain text, read in full here on John Shaqi.
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