[Line: 45 In this pyramidally metaphysical passage Cleveland
does not quite play the game. Mahomet's pigeon did not _kiss_
him. But 'privy seals to take up hearts' is very dear to
fancy, most delicate, and of liberal conceit. So also 'jewels
are in ear-rings worn' below; where the game is played to its
rigour, though the reader may not at first see it.]
[Line: 46 his] 'her' _1651_, _1653_; but it clearly should be
'his', which is in _1677_.]
[Line: 53 _1651_, _1653_ read 'Next to those sweets her lips
dispense', _nescio an melius_.]
[Line: 61 her] 'our,' a variant of one edition (_1665_) is all
wrong.]
[Line: 62 Mr. Berdan has strangely misinterpreted 'venter'.
The phrase is quite a common one--'of the second _marriage_.'
The first kiss comes of lip and lip, the second of lip and
love.]
[Line: 67 pickeering] 'marauding', 'skirmishing in front of an
army'.]
[Line: 70 For 'join' [jine] _1651_, _1653_ and others have
'whine'--suggesting the Latin _gannitus_ frequent in such
contexts. But 'join' must be right. Professor Gordon points
out that the passage is a reminiscence of Donne, in his
_Extasie_:
As 'twixt two equall Armies, Fate
Suspends uncertaine victorie,
Our soules (which to advance their state
Were gone out,) hung 'twixt her, and mee.(13-16.)
This is contrasted with the bodily 'entergrafting' of l. 9,
&c.]
[Line: 74 When 'prose and sense' came in they were very
contemptuous of this Baron Tell-clock. But the image is
complete, congruous, and capable of being championed.]
[Line: 75 'Boutesel' of course = 'boot and saddle', albeit
'boute' does not mean 'boot'.]
The Hecatomb to his Mistress.
Public-domain text, read in full here on John Shaqi.
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