From valley after valley dies away the drowsy croon of the mowing
machine, leaving to the grasshoppers the fragrant drying hay. Now comes
July in many hues of yellow, spreading her gold beside dark, hidden
beaver backwaters and along the sun-warmed stubble, whose various,
singing life is loudest through these shimmering afternoons. Tawny
beauties are abroad in woodways and sea marshes. Where the hot air
shines and quivers over shallow pools yellow water lilies float sleepily
beneath curved canopies, while the lucent pallors of the white water
lily one by one are dimmed. Moving serenely toward its climax, the
season drinks the sun and takes the color of its slanting light.
The flame lily lifts a burnt-orange cup straight toward the sky. The
yellow meadow lily bends down over the damp mold it seeks. But both love
deep woods, and, blazing suddenly above a fern bed, the rich flowers
startle, like a butterfly of the Andes adrift in Canadian forests. They
are princesses of the tropics, incongruously banished to Northern
swamps, but scornfully at ease. The false Solomon’s-seal in proud
assemblies wears with an oddly holiday air its freckled coral beads,
always a lure to the errant cow; and jack-in-the-pulpit, having been
invested with some churchly rank which demands the red robe, is ready to
cast off his cassock of lustrous striped green for one of scarlet. The
pendent-flowered jewelweed, plant with temperament and therefore called,
too, touch-me-not, droops its dew-lined leaves along the traveled lanes,
for it is making ready small surprise packages of seed that snap
ferociously open at a touch; and thus intriguing every passer-by into
sowing its crop, it earns the name unfairly borne by the innocent yellow
toadflax—snapdragon, which snaps only at bumblebees.
Public-domain text, read in full here on John Shaqi.
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