Abandoned, but still no downcast company, slanting corn shocks not
honored with winter shelter stand patient sentinels in the field.
Abandoned they may seem, yet could you suddenly tip one over there would
be a startled scurrying, for these are the choice snow-time residences
of field mice, cottontails, weasels, and meadow moles—not, of course,
together in harmony, but in their separate establishments. Let the
blizzard come; it only makes warmer a house of cornstalks properly
built, which bears, nevertheless, some of the dangers of a gingerbread
home—passing cows may feel tempted.
Vermilion heraldry of the wild rose is waved undimmed. Witch-hazel with
her yellow blossoms, last flowers of the year, gazes upon the vanquished
shrubs about her with a smile. Why, she will not even sow her seed until
February! There is plenty of time for hardy petals.
Massed against the stern horizon, the forest stands an unresponsive
gray; entered, the twigs are seen sleek brown, dark red, and a fawn soft
as the tan orchid. In towns December shows the iron mood. But in the
open places, where pools of light and shadow lie, it is a water-color
month, made fine with no gorgeous velvets of autumn, but hung with
blending veils of dawn mist and of new snow, so that the subdued day
rises in flushed, drifting vapors, like April’s awakening, and when the
sun comes, pale, we wonder that there is no summons in his light.
CHAPTER XIII.
LANDSCAPES SEEN IN DREAMS
[Illustration]
The painter of landscapes seen in dreams must be a memory that knows
fantastic woods and faery seas all strange to the waking memory. Or else
the artist is only a weariness with the day just past that gives us in
sleep sight of the country which, so Mr. Maugham and other story-tellers
say, is the real home that men may go their whole lives long without
finding, because we are not always born at home, nor even brought up
there, and we might for years be homesick for a land unseen. Once
beheld, the recognition is instant, and in the foreign place begins a
_vita nuova_—relief and an intensity of living never known before the
new and familiar harbor came down to meet us at the shore. So sometimes
it is in dreams. Recurrent and vivid, a scene of sheerest unreality will
take on an earthly air, or landscapes flamboyantly exotic will hold the
peace denied by every country it has been our daily fortune to know.
Public-domain text, read in full here on John Shaqi.
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