Cricket follows pickering frog and cicada cricket. That earliest
invisible singer asks only a little warmth in the waters of the pond to
melt the springs of frozen song. He comes with lady’s-tresses, pussy
willows, and unfurling lily pads. The cricket, sleepy-voiced in the
August afternoon, grows gay at twilight, and does his best when the
firefly and bat are abroad, darting out from the creeper-veiled bark and
setting sail upon the placid air. Locusts play persistently a G string
out of tune until, when the first goldenrod peers above the yarrow, the
overwhelming night chorus of the katydids is heard, lifted bravely again
and again within the domains of autumn, not quenched before the
bittersweet berry and the chestnut fling open portals and surrender to
the cold.
Little they know of trees who have not seen spruce and larches against
the deep October sky, looking straight up from a yielding club-moss
pillow. The outlines and colors of the quiet branches are shown most
memorably upon the vault of that arching lapis-lazuli roof, draped with
floating chiffon of the clouds. Climb up among the boughs, and the
carven quality is gone. They are dim and soft. You must go close to
earth to behold tree-top forms. The supine view is magical.
Revealed in uncanny splendor by the death of verdure, brilliant and evil
fungi come from the dark mold in fall, orange and copper, vermilion and
cinnabar, dwelling as vampires upon trees brought low. Some wear the
terra-cotta of the alert little lizards that, inquisitive as squirrels,
will lift their heads from bark or stone and give back gaze for gaze. As
leaves that came from the sap of roots go back to the roots in ashes, so
ants take care that fallen oaks shall be transformed into the soil from
which young oaks will spring, and brown dust, when they have ended, is
all that abides of the tallest tree. Among them pass the bobbing,
glistening beetles. This immortal and thronging activity of the loam
can be heard, if you bend low enough and listen long.
When the air is frost-clear fairy landscapes, hidden since spring came
with mists and masking leaves, rise with an effect of unbeheld creation.
Small pools appear, and avenues among the bracken that still wave
banners of chestnut and old gold. The lonely homes of ground-nesting
birds grow visible. Trinkets are scattered as the forest makes ready for
night—tiny cones, abandoned snail shells, and feathers which the
woodpecker and oriole dropped when they took leave. The sun dapples with
yellow the partridge haunts where once drooped films of maidenhair fern.
Public-domain text, read in full here on John Shaqi.
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