It is a sturdy conceit that wonders why Nature should spend her freshest
art on treasure scenes she decrees invisible, as if the mother of
mountains, tempests, deserts, toiled anxiously for the approval of a
particular generation, keeping one eye on Mr. Gray and the other on Mr.
Emerson in the hope that they will justify her flower blushing unseen
and her excusable rhodora. Nature is far too unmoral to bother about
rendering economists an account for her spendthrift loveliness. She
willfully deserts the imitation Sicilian garden, though she would be
well paid to stay, and rollicks in the jungle, clothing magnificently
the useless snake and leopard, dressing their breakfast in paradise
plumes, puzzling Victorian poets, and badly scaring the urban
manicurist, who returns after her first country vacation with decided
views concerning the cheerful humanity of streets compared with lodges
in the wilderness.
Were Nature careworn and personal, where should we turn for consolation
or rest? Hers is the tonic gift of a strength that, underlying all life,
does not pity or praise. As in the Cave of the Winds the most restless
spirit surely might find peace, so in the eternal changefulness of the
forest under the touch of forces fierce or serene we find the soul of
quiet because the powers at work are beyond our control, control us
utterly, hold us in an immense and soothing grasp where thought and
energy are fused and contend no more. So those who live upon the ocean
come to possess that which they will not barter for ease, and so the
timber cruiser shortens his visit to town. They would not tell what they
gain who relinquish readily the things for which others pour out their
years upon the ground that commerce may grow. It is because words are
not fashioned to speak what shapes the wind takes, the motion whereby
mists climb after the sun out of ravines, or how the tropic orchids lift
at daybreak among their fragrant shadows wings of ivory and fawn that
drooped against ferny trunks.
Many days must bloom and fade between you and the sound of human voices
before, in the wilderness, there can be surrender to the giant arms that
forever hold the body, and to the spirit, supreme and unemotional, that
has sped beyond the utmost outposts the mind ever reached. But after the
homecoming—when the confused echoes of a swarming, blind humanity are
lost in the exalted quiet of wide spaces—the vast impersonality of woods
and plains, swamps, hills, and sea, takes on a tenderness more deep than
lies in human gift and a glorious hostility that calls to combat without
grudge or motive, ennobling because it gives no mercy; challenges alike
the craft of man and the strength of the hills.
Public-domain text, read in full here on John Shaqi.
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