Trees lose the archaic outline as leaf buds swell. Reddened maples and
black ash twigs, yellow flowers on the willow, begin the coloring of a
landscape that will not fade to gray and dun again until December
comes. The lilacs are growing impatient, for already the sophisticated
city lilac bush is wearing costly bloom, careless that a debut made so
early early ends. The crocuses, spring’s opening ballet, dressed in
pastel tints, take their places on the lawn, standing delicately erect,
waiting for bird music. Unknown to March’s gales, the still swamp pools
are fringed with shooting green, full of hints of cowslips; and
arbutus—few know on what hillsides—is lifting the warm leaf blanket,
trusting that vandal admirers are far away. The March violet is sung
more than seen, visiting Northern slopes and woods hollows only by
caprice, but all the legends lingering over it, and the magic beauty it
gives to maidens who gather it at dawn, make the violet still, for
lyrical needs, the flower of March. Cuddled close to sun-warmed stones,
cloaked by quaint leaves lined with sapphire and maroon, sometimes now
the hepatica has come; and bloodroot nested under bowlders, and in fence
corners where the sun is faithful, lifts praying, exquisite petals that
open swiftly from the slim bud and are scattered by a touch. The dark
blue grape hyacinth stands calm in winds and bitter weather; waist-deep
in snow, it proudly holds its ground. Sap is visibly climbing to the
highest limbs. It seems even to be mounting in the ancient wild-grape
vines that swing from the roof of the wood, bearing no buds and looking
dead a hundred years, though there is life beneath the somber and shaggy
bark. Sap called back through the ducts of the winter-warped thorn,
solitary in the clearing where the cruel nor’easter raced, will cover
the sad branches, once the soft days are here, with shining blossoms.
The year turns when the sap runs. Little boys who have their sugar
maples picked out and under guard, being more forehanded about some
things than others, are whittling intensely.
Public-domain text, read in full here on John Shaqi.
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