Miracle Gold: A Novel (Vol. 2 of 3)Dowling, Richard
General
Miracle Gold: A Novel (Vol. 2 of 3)
Dowling, Richard
Fiction
Presently his manner changed. He had adduced all his reasons and knit
them together in his argument. Now he was beginning to appeal to the
feelings of the man on the bench and the men in the box. His head was
no longer erect, his gestures no longer combative. He was asking them
to remember the circumstances of the case. He was painting a picture
of himself. He appealed to their finer natures, and begged them not to
contemn this young man, who by the nature of the great art, the noble
art of oratory, to which he had devoted much study and in which he had
had some successful practice, lived always in a state of exalted
sentiment and sensations. This young man was more likely than others
of his years to be overborne and carried away by emotions which would
not disturb the equanimity of another man. His nature was excitable,
and he had the ready, in this case the fatally ready, command of words
belonging to men who had trained themselves for public speaking.
Here the scene became so real to his mind that unknown to himself he
broke out into speech:
"Gentlemen, I know he, may not be excused wholly. I will not ask you
to say he is not to blame. I will not dare to say I think he behaved
as a considerate and thoughtful man. But, gentlemen, though you
cannot approve his conduct, you will not, oh, I pray you, do not take
away from him the reputation he holds dearer than life, the reputation
of being a sincere man and a gentleman. Amerce him in any penalty
you please short of denying him the reputation of being earnest and
high-minded and----" He paused. Tears for the spectacle of himself
were in his eyes. His voice was shaken by the intensity of his pity
for himself.
"John," said a soft voice behind him.
He turned quickly round. A tall, slender woman, with calm, clear face
and snow-white hair, was standing in the room.
"Mother! I did not hear you come in."
"I hope I did not break in disastrously. It is late. I wanted to see
you for a few minutes before I went to bed. I did not like to speak
until you stopped."
He had gone to her and put his arm round her waist and kissed her
smooth white hair above her smooth, pure forehead. "Mother," he said,
in a low, soft, musical and infinitely tender voice, "I am sorry I
kept you waiting for me. I was going to you in a moment, dear."
There was none of the art of the orator in these words, or in the
exquisitely tender flexions of the voice. But the heart of the man was
in the tones of his voice for his mother.
She looked at him in the dim light and saw his disordered collar and
tie, but put that down to excitement caused by his rehearsal.
He led her gently to a chair and took one in front of her by the side
of the dining-table. He took her thin, white hand in both his own and
looked into her calm, beautiful face, radiant with that tranquil light
of maternal love justified and fulfilled.
Public-domain text, read in full here on John Shaqi.
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