They could not, however, have been more pleased to see the gentlemen
than Rose and Letty were upon that evening in Mirk drawing-room to
welcome the two brothers. Much as women are praised for their superior
tact, it is my humble opinion that they possess less of it than
ourselves. Their gentleness, beauty, and general attractiveness enable
them, it is true, to render certain rough places tolerably smooth--nay,
some almost impregnable passes very practicable; but considering
their great advantages, they often signally fail in a piece of social
engineering, the difficulties of which almost any man would have managed
to evade. They prefer cutting a tunnel through granite to deviating a
hairbreadth from the line they have marked out for themselves. How often
has one sat on tenter-hooks, listening to a woman who raises a domestic
breeze to storm, when anybody but herself (who has yet been married to
the man a score of years) can perceive both drum and cone mast-high in
her husband's face and manner; nay, when you, the spectator, have marked
half-a-dozen openings--only she _will_ charge with her head down in that
foolish manner--by which she could have approached her consort's heart
in the course of discussion, and got all she wanted, and yet let him
keep his temper. When a _Man_ happens to have some feminine gifts,
tenderness, grace, beauty--like Walter Lisgard, for instance--what power
of pleasing, what avoidance of all subjects of _dis_pleasure, he almost
always exhibits, notwithstanding his masculine selfishness. It is very
possible, indeed, that this young dragoon may not have captivated
my readers; but that is because it is not possible to convey, by any
description, the attributes which make such a man so popular. Men talk
of the nameless charm that hangs about some fair one, her unspeakably
winning manners, and the grace “beyond expression” that pervades her
being; but the influence of such a charmer is almost entirely confined
to the other sex.
Public-domain text, read in full here on John Shaqi.
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