Great Britain -- History -- Poetry; Shakespeare, William, 1564-1616 -- Sources
[12] The title was repeatedly borrowed even by popular writers. There
was: “_The Mirrour for Mutabilitie, or principall part of the Mirrour
for Magistrates, describing the fall of diuers famous Princes, and
other memorable Personages. Selected out of the sacred Scriptures
by Anthony Munday, and dedicated to the Right Honorable the Earle
of Oxenford. Honor alit Artes. Imprinted at London by John Allde
and are to be solde by Richard Ballard, at saint Magnus Corner.
1579._”--“_Mirrour of Mirth, a story book by R. D. 1583._” CAPELL’S
_Shakesperiana_, N^o 150. _A Mirrour for Magistrates of Cities, &c.
by Geo. Whetstone_, 1584, and _The English Myrror_, in three parts,
by same Author, 1586. Also the _Mirrour for Mathematikes_; a _Mirrour
of Monsters_, &c. Warton also mentions, upon the manuscript authority
of Coxeter: _The Mirrour of Mirrours, or all the tragedys of the
Mirrour for Magistrates abbreuiated in breefe histories in prose. Very
necessary for those that have not the chronicle. London, imprinted for
James Roberts in Barbican, 1598._ No copy of this work has yet been
discovered.
[13] In 1560 was published GODET’S _Chronicle_. It may be conjectured
that that work was printed, to the reign of William the Conqueror,
before the appearance of the M. for M. in the year preceding, when the
compiler, from the reception of that poem, was induced to alter his
descriptions from prose to octave stanzas. As this Chronicle is of
more than usual rarity, I shall venture to extend this note with some
account of it, premising, that in the continuance of Ames, Mr. Dibdin
will give a minute analysis of the work, accompanied with a specimen of
the very curious wood cuts.
This Chronicle takes its name from the colophon: “Imprinted at London
by Gyles Godet dwellinge in Blacke Frieres.” It was printed on a long
roll in divisions, with bold well executed portraits, cut in wood, of
our ancient patriarchs and monarchs, each having an ensign of arms, and
beneath a brief narrative of the principal events of each life. The
Roll commences with the following address:
Public-domain text, read in full here on John Shaqi.
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