style) has been still a willing scholar in the hands of Da Vinci. But then, with what ease also, and simplicity, and a sort of natural success not his! It was in his twenty-fifth year that Raphael came to the city of the popes, Michelangelo being already in high favour there. For the remaining years of his life he paces the same streets with that grim artist, who was so great a [52] contrast with himself, and for the first time his attitude towards a gift different from his own is not that of a scholar, but that of a rival. If he did not become the scholar of Michelangelo, it would be difficult, on the other hand, to trace anywhere in Michelangelo's work the counter influence usual with those who had influenced him. It was as if he desired to add to the strength of Michelangelo that sweetness which at first sight seems to be wanting there. Ex forti dulcedo: and in the study of Michelangelo certainly it is enjoyable to detect, if we may, sweet savours amid the wonderful strength, the strangeness and potency of what he pours forth for us: with Raphael, conversely, something of a relief to find in the suavity of that so softly moving, tuneful existence, an assertion of strength. There was the promise of it, as you remember, in his very look as he saw himself at eighteen; and you know that the lesson, the prophecy of those holy women and children he has made his own, is that "the meek shall possess." So, when we see him at Rome at last, in that atmosphere of greatness, of the strong, he too is found putting forth strength, adding that element in due proportion to the mere sweetness and charm of his genius; yet a sort of strength, after all, still congruous with the line of development that genius has hitherto taken, the special strength of the scholar and his proper reward, a purely cerebral strength [53] the strength, the power of an immense understanding.