But there are other examples of this total and supreme influence, besides Nature and the conscience. “From the poisonous tree, the world,” say the Brahmins, “two species of fruit are produced, sweet as the waters of life, Love or the society of beautiful souls, and Poetry, whose taste is like the immortal juice of Vishnu.” What is Love, and why is it the chief good, but because it is an overpowering enthusiasm? Never self-possessed or prudent, it is all abandonment. Is it not a certain admirable wisdom, preferable to all other advantages, and whereof all others are only secondaries and indemnities, because this is that in which the individual is no longer his own foolish master, but inhales an odorous and celestial air, is wrapped round with awe of the object, blending for the time that object with the real and only good, and consults every omen in nature with tremulous interest. When we speak truly,--is not he only unhappy who is not in love? his fancied freedom and self-rule--is it not so much death? He who is in love is wise and is becoming wiser, sees newly every time he looks at the object beloved, drawing from it with his eyes and his mind those virtues which it possesses. Therefore if the object be not itself a living and expanding soul, he presently exhausts it. But the love remains in his mind, and the wisdom it brought him; and it craves a new and higher object. And the reason why all men honor love, is because it looks up and not down; aspires and not despairs. And what is Genius but finer love, a love impersonal, a love of the flower and perfection of things, and a desire to draw a new picture or copy of the same? It looks to the cause and life: it proceeds from within outward, whilst Talent goes from without inward. Talent finds its models, methods, and ends, in society, exists for exhibition, and goes to the soul only for power to work. Genius is its own end, and draws its means and the style of its architecture from within, going abroad only for audience, and spectator, as we adapt our voice and phrase to the distance and character of the ear we speak to. All your learning of all literatures would never enable you to anticipate one of its thoughts or expressions, and yet each is natural and familiar as household words. Here about us coils forever the ancient enigma, so old and so unutterable. Behold! there is the sun, and the rain, and the rocks: the old sun, the old stones. How easy were it to describe all this fitly; yet no word can pass. Nature is a mute, and man, her articulate speaking brother, lo! he also is a mute. Yet when Genius arrives, its speech is like a river; it has no straining to describe, more than there is straining in nature to exist. When thought is best, there is most of it. Genius sheds wisdom like perfume, and advertises us that it flows out of a deeper source than the foregoing silence, that it knows so deeply and speaks so musically, because it is itself a mutation of the thing it describes.