Miser Farebrother: A Novel (vol. 1 of 3)Farjeon, B. L. (Benjamin Leopold)
General
Miser Farebrother: A Novel (vol. 1 of 3)
Farjeon, B. L. (Benjamin Leopold)
Fiction
Living in a certain sense alone in a great mansion, it is not to be
wondered at that a current of romance was formed in the young girl's
nature. Neglected and uncared for as she was by those immediately
about her, there was no restriction upon her movements through the old
house. Certain rooms were prohibited to her, Mrs. Pamflett's room and
her father's bedroom, which served also as an office. To this latter
apartment, when she passed fourteen years of age, Phoebe was sometimes
called--otherwise she was forbidden to enter it. With these exceptions
she was free to wander whither she would, and she would often pass
hours together in a room never occupied by the household, and which
had an irresistible fascination for her. It was of octagonal shape,
and there were faded paintings on the walls and rotting tapestries.
Originally it was most likely used as a library, for it contained
book-cases and large pieces of furniture, a table, two secretaries,
and a huge chair, so heavy that Phoebe could not even move it. The
carvings about the room and upon the furniture were strangely
grotesque--fantastic heads and faces, animals such as were never seen
in nature, and uncouth forms of men which had no existence save in the
feverish imaginations of the designers. These contorted shapes and
grotesque faces might have been supposed to be sufficiently repulsive
to cause a sensitive child to avoid them, but in truth they were in
themselves an attraction to Phoebe, who discovered no terrors in them
to affright her. There was, however, in the room an attraction of a
more congenial kind, in which grace, harmony, proportion, and a most
exquisite beauty were conspicuous. High up in a corner, opposite a
window which faced the west, was a carving of angels' heads, hanging
over, as it were, and looking down upon the spectator. Devoid of
natural colour as they were, so grand and wondrous had been the
skill of the carver that it was as though a multitude of joyous,
rosy-cheeked children were bending down to obtain a view of a scene as
delightful as they themselves presented. The lips smiled, the eyes
sparkled, the faces beamed with life. This marvel, cut out of brown
wood, was, indeed, something more than the perfection of art and
grace--it was an enchantment which made the heart glad to behold. And
in the evening, when the effulgent radiances of a glorious sunset
shone upon the wonder and played about it, touching the dainty faces
with alluring light, it filled even the soul of our young child with a
holy joy.
This was Phoebe's favourite room; and here she would sit and read, and
sometimes stand, with folded hands, looking upward at the enchanting
group, with the sunset's colours upon them; and in her eyes would dwell
a rapture which made her as lovely as the fairest of the faces she
gazed upon. Thus she grew up to a graceful and beautiful womanhood,
encompassed by sweet and grand imaginings which purified her soul.
CHAPTER V.
Public-domain text, read in full here on John Shaqi.
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