Miss America; pen and camera sketches of the American girl — John Shaqi
Miss America; pen and camera sketches of the American girlBlack, Alexander
General
Miss America; pen and camera sketches of the American girl
Black, Alexander
Women -- United States; Women -- United States -- Social conditions
Now, no man can regard as insignificant any fact concerning woman,
disproportionate as the importance of the fact may be made to appear
in comparison with other facts concerning her, so that we have no
greater difficulty in appreciating the noisy announcement of the New
Woman than in appreciating the only less audible contention that there
is no such appearance. Happily the foolish discussion is over. Only
a few catch-words now remind us of the hopeless debate. Of course,
Eve was the only new woman. She alone was incontrovertibly new; and
to seek by trick of title to invest with newness any woman who came
after her, was a frivolous and degenerate conspiracy. Not, indeed, that
newness is intrinsically a defect, though heraldry and afternoon teas
may be arranged upon that assumption; but in effect it is belittling,
destructive of certain benefits of the doubt, insulting to the woman of
the past and skeptical as to the woman of the present.
However, our national past and our national present are so full of
superficial and even of fundamental contrasts, that if ever a merciful
sentence is to be passed upon one who, peering through the “turbid
media” of sociological analysis, mistakes the _Zeitgeist_ for a
new woman, it is in our own longitudes. Like a child growing up under
the eye of an arrogant and pompous parent, we have, nationally, been
made to feel from the beginning that we are new, even tentative, that
we are unclassified, all but vagrant in the ethnological sense. It is
possible that recent events will modify in certain important ways,
external contemplation of us as a nation, that, in spite of certain new
effects which we may be accused of producing, a consciousness and a
recognition of our definite maturity may have some responsive effect in
ourselves.
Meanwhile it is pleasantly easy to detect many interesting changes in
the situation of the American girl within the span of the century.
Whether she merely illustrates the social and political changes which
have taken place, or, as we so often have been urged to believe,
actually indicates why they have taken place, she presents a spectacle
of peculiar interest, a spectacle which has so successfully piqued
the analytical spirit of the period that it would be expounding the
commonplace to do more than quickly sketch a few of the outlines.
Public-domain text, read in full here on John Shaqi.
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