Miss Ayr of Virginia, & other storiesMagruder, Julia
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Miss Ayr of Virginia, & other stories
Magruder, Julia
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
With a last effort at resistance he was beginning to frame an excuse,
when, in the very midst of his speech, Clementina said, decisively,
speaking to the boy:
“I am coming. Show me the way,” and the poor old father was scarcely
surprised when he found the messenger ignoring him entirely, and
obeying the words of the child.
She had already started after him, and Clem could only follow them, in
feeble wretchedness and disappointment.
The boy led the way through various dusty and dimly-lighted passages,
and presently paused before a door at which he rapped sharply, and then
walked away.
A voice said: “Come in!”
Clementina turned the knob, and entered, her father following, and
taking care to close the door behind him.
Instead of finding the popular dancer flung in picturesque abandonment
on the lounge, drinking iced champagne or smoking a cigarette
(which was what Rhodes expected) he saw her seated before her
dressing-table, on which were scattered a disorderly collection of
wigs, masks, powder-puffs, curling-irons, rouge-pots, and various
other paraphernalia of her profession. Her elbows were crushing some
artificial flowers, as she sat with her chin in her hands and her gaze
fixed solemnly upon her own reflection in the mirror.
As she turned toward them, the child ran forward and flung her arms
around the dancer’s bare neck, lifting her face to be kissed.
The Tarara gave a little cry, and sprang to her feet, and then, the
next instant, crouched down again, and made a motion as if she would
cover, with her short tarletan skirts, the exposure of plump legs cased
in thin flesh-colored tights. What had come over her? Those shapely
limbs were usually her pride. When had she felt any sense of modesty
about them before?
But the child was not looking at them. Neither did she look at the
false hair, the rouge, the powder, the painted eyebrows, and _bistré_
lids. She had clasped her arms around the dancer’s neck again, and was
looking straight into her eyes.
The feeling which came to the Tarara as she met that look was that one
creature saw her soul, at last.
“I love you. You are kind, and sweet, and good,” the child said,
softly, still regarding her with that deep, penetrating gaze, and with
intense conviction in her tone.
The Tarara’s painted face began to quiver, and great tear-drops brimmed
her eyes, as she caught the little creature to her, crushing to
irremediable flatness her diaphanous tarletan skirts. She strained the
small creature to her breast a moment, and then seated her on her lap.
She had caught up a rich plush cape from a chair, and had thrown it
over the tights and dancing-shoes.
Rhodes, meanwhile, stood looking on, in a state of stupefaction. They
had both forgotten him, as they clung to each other, with close kisses
and embraces.
Public-domain text, read in full here on John Shaqi.
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