Miss Ayr of Virginia, & other storiesMagruder, Julia
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Miss Ayr of Virginia, & other stories
Magruder, Julia
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
A deep emotion was evident in both of them, but its character was
different. The woman was stirred to a passionate excitement; her
breaths came in deep, catching sobs; her face worked with a nervous
strain; and her cheeks flushed hotly under their rouge. The child,
on the other hand, was deeply calm and grave. She lay with utter
contentment in that bedizened creature’s arms, and looked up at her
as trustingly and unquestioningly as though she had been a Madonna.
This long, deep, concentrated look was undisturbed, as she said with a
wondering seriousness:
“Are you my mother?”
“No, darling, no,” the dancer said, bending above her with a mother’s
tenderness, while the tears ran down her cheeks, making a pitiable daub
of black and white and red there.
“My mother died,” the child went on, looking only at the gentle eyes of
the woman, and speaking in a grave and placid tone.
“And my little baby died,” the dancer said. “She would have been as old
as you. She died before she ever knew her mother’s face, and my heart
has been empty, ever since.”
“I love you,” said the child.
The strong, spasmodic movement with which the dancer crushed her to her
heart, as she said these words, must have been physically painful, but
if it was, the child gave no sign, except a radiant smile of joy. There
was a look of almost holy calm upon the little pallid face. She put up
one small hand, and patted lovingly the smeared face that bent above
her.
“You are good,” she said.
“Am I, darling? Oh, I should like to be! If my little baby had lived
perhaps I should have been, though everybody has been bad to me. No one
has ever loved me, as you do, before.”
“Your little child loves you,” was the quiet answer, still with that
look and tone of knowledge.
“Oh, do you think she does, and that I will some time have her again?”
“Yes,” said the child, with a certainty that seemed to make doubt
unreasonable. Then looking around, as if in sudden recollection, she
said, “Clem--Boy--come here.”
At these words a lingering hope sprang up in Rhodes’s heart. This
strange mode of addressing him might enable him to keep his secret
still. If he could only get the child away now, and to-morrow contrive
some way of accounting for her! With this end in view he came forward,
the child turning on him, as he did so, the fond, penetrating look he
knew so well.
The dancer glanced quickly from one to the other, but it was the child
she questioned, and not the man.
“Is he your father?” she said.
“Yes,” said Clementina. “My mother died when I was very little. He has
been so good to me.”
But what was the matter with Clementina’s voice, and why was her breath
suddenly so short and difficult? Rhodes was conscious of this, even in
that moment when he realized that his secret was revealed, and his
hopes of the Tarara blasted. She was conscious of it, too, and her face
took on a sudden look of terror.
Public-domain text, read in full here on John Shaqi.
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