Miss Ayr of Virginia, & other storiesMagruder, Julia
General
Miss Ayr of Virginia, & other stories
Magruder, Julia
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
One would have thought it likely that the child, when she spoke, would
call him “Grandpapa,” but she turned her insistent gaze upon him now
and said peremptorily:
“Play, Papa, play!”
As he crossed over to where his violin-case lay, there had come a
sudden buoyancy into his figure, and as he lifted the instrument
carefully from its case and began to tune it, his face, too, was fervid
and alert. The fact became evident now, that he was not an old man.
There was all the strength of youth in the sudden motion with which he
braced his shoulder to the violin, and all the fire of youth was in his
eyes.
The child looked upward into his face, and smiled. He returned the
smile, and with a bright nod of encouragement and promise, he broke
into the gay movement of a little dance tune, played with extraordinary
brilliancy of execution.
“How’s that, baby? Here we go! Now the pretty lady is going down the
line and holding up her pink silk dress. Listen to that! And now they
are all catching hands and whirling round and round, and everybody is
laughing--and here goes the music like this!”
As he fiddled away at the merry tune, bending about, and jerking his
head and elbows, the child got into a state of ecstatic glee, clapped
her hands and laughed aloud, and finally slipped off the sofa, caught
up her skirts, and began to dance. It was done with the tottering,
uneven motion of a baby, but there was extraordinary vim in it, and as
the music got every moment gayer and faster, she jumped and whirled
about, until her companion, with a wild laugh of delight threw down
violin and bow, and caught her up in his arms, covering her with
kisses, and jumping about, himself, in rather a mad fashion, with the
music in his blood, as well as hers. Then growing calmer he put her
back upon her cushions, and taking up his violin, said soothingly:
“Now Rose-Jewel’s tired, and Papa’s going to make her rested. Sit
still, darling, a little while, and see if you don’t feel as if you
were in a lovely little cradle with soft blue ribbons on it, and a
little bird singing on the window sill. Now listen for the little bird.”
He drew the bow across the strings once, twice, with long minor tones,
and then he began the bit of descriptive improvising. The child sank
back in the cushions, and breathed a long sigh of ease. When the motion
of the cradle was indicated, she rocked her little body slightly, from
side to side, and closed her eyes luxuriously. Then, with his gaze
fixed on her face, and with an intensity of fervid feeling that made
him almost beautiful, the musician touched some short staccato notes
that made a little cheeping sound, to which the child delightedly
responded by saying:
“Birdie! Birdie! Birdie!” and made an infantine effort to snap her
plump fingers.
Public-domain text, read in full here on John Shaqi.
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