Miss Ayr of Virginia, & other storiesMagruder, Julia
General
Miss Ayr of Virginia, & other stories
Magruder, Julia
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The man’s face grew radiant. Holding aside the violin in one hand and
the bow in the other, he took a few steps toward her, bent down, and
kissed first one, and then the other of the soles of her little shoes,
which were covered with fine grains of damp sand, that he felt against
his lips.
“The good God gave you to me, Rose-Jewel,” he said. “Put your hands
together while I play Him a prayer of thanks.”
Unquestioningly, the child placed her two hands palm to palm, and
looked up reverently, as he began to play.
It was a strange, wild, sweet _Te Deum_ that rose now and filled the
little room. The very heart of praise was in it, the very soul of
thankfulness. The man’s dark eyes, for the time, had lost sight of the
gift in the Giver, and were turned upward to the dingy ceiling, that
was soon obscured by tears. The large drops rolled from his lids and
ran down his cheeks. His face grew strained and seamed with agitation,
and a thick sob rose in his throat. Still he played on with that rapt,
uplifted gaze, until a sound from the sofa recalled him, and he
started, and lowered his bow-arm with a sudden movement of dismay.
There were tears in the eyes of Rose-Jewel, too, and her little
heart, which he felt should know only the joy of praise, was tasting
too soon its sorrow and solemnity. As one quick, sharp sob followed
another he felt a sudden deep contrition stab him, and lifting his bow
again, he began to play in a quieting, comforting, reassuring strain,
interspersed with words that matched it.
“The dear God loves us both, Rose-Jewel,” he said. “He wants us to be
happy and bright, and not cry or get frightened. He sends us beautiful
angels to take care of us, and make us go to sleep, and have sweet
dreams. Listen to this now, and see if you don’t hear them flying into
the room.”
The child ceased sobbing, and listened with earnest attentiveness, and
by and by he had the joy of seeing her fall into a gentle sleep. He
played on, pleasing himself with the idea that his music represented to
her, in her sleep, the dreams the angels brought.
At last, when she had sunk into a slumber too deep for dreams, and even
the sobbing breaths of her scarcely spent emotion were stilled, he
gently laid by his violin and came and sat down beside her. He placed
himself, with extreme care not to disturb her, at the bottom of the
sofa upon which she lay. His eyes lingered on her a moment, and then
wandered around the room. The poor sketches on the walls, all so weak
and ineffectual, looked back at him sadly, as it seemed to him, and the
piano was another reproach.
Public-domain text, read in full here on John Shaqi.
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