Miss Ayr of Virginia, & other storiesMagruder, Julia
General
Miss Ayr of Virginia, & other stories
Magruder, Julia
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
It was much too late to think of this, however, for his toilet was
not begun, and so he turned back within the room, and lounging in
dressing-gown and slippers, spent an hour reading the morning papers
and smoking. At the end of that time, he started up suddenly and began
his toilet, with an air of haste and impatience. As soon as he was
dressed, he took his hat and gloves and went downstairs. Just as he
opened the front door, he caught sight of the young girl mounting the
steps opposite, on her return home. She was in the act of taking off
her veil, and Randall thought she did so with a certain air of relief
from a bondage which irked her. Once more he got a brief impression of
that young and exquisite face, and then, without having looked at him
at all, she opened the door with a latch-key and entered the gloomy old
house, and the dingy door closed behind her.
Randall went his way, and presently found himself seated at a
beautifully appointed lunch table with a party of gay and brilliant
people, among whom he was made very welcome, and where he laughed and
chattered for an hour, but throughout it all he could not shake off the
impression that this girl had made upon him, and her pure, young face,
and plain, dark garments rose before his vision, as alien to this scene
as the impression of some rapt, ascetic nun.
After lunch there was a general demand that Mr. Randall should play to
them, and rather more obligingly than usual he yielded to the request,
and, going to the piano, he began with certain powerful chords and
impressive pauses, that soon compelled the company to perfect silence
and attention. He was a fine musician, and quite accustomed to having
his playing treated deferentially, but he did not often take the
trouble to play to people as he was playing now. His audience had
expected something light and brilliant, and instead of that it was
only sacred music that he played--harmonies and masses from the great
masters of old, with an improvised arrangement and connection of his
own.
He rose from the piano and said good-bye abruptly, hurrying away from
the enthusiastic praise of his audience, and walking quickly back
to his lodgings, where he spent the remainder of the day. Some men
dropped in to see him, but either they were hurried, or they found him
unamusing, for they presently went away, and at twilight he was left
alone.
More than once, he had gone to look out on the opposite house, but
the dull, gray front of that dismal structure was unsuggestive of the
least hint of its radiant young inmate. When the lamps were lighted, at
last, and the curtains drawn, and the servant, having attended to his
comfort, had left him quite alone for the evening, he opened his piano
and began to play. It must have been for hours that he sat there, with
no music before him, playing on and on, thinking, thinking, thinking
to those beautiful strains.
Public-domain text, read in full here on John Shaqi.
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