Miss Billy — MarriedPorter, Eleanor H. (Eleanor Hodgman)
General
Miss Billy — Married
Porter, Eleanor H. (Eleanor Hodgman)
Domestic fiction; Marriage -- Fiction; Married women -- Fiction
“But--but Cyril! What does he say?” stammered the dumfounded Aunt
Hannah. “Think of Cyril's standing a thing like that! Doesn't he do
anything--or say anything?”
Billy smiled, and lifted her brows quizzically.
“My dear Aunt Hannah, did you ever know _many_ people to have the
courage to 'say things' to one of those becapped, beaproned, bespotless
creatures of loftily superb superiority known as trained nurses?
Besides, you wouldn't recognize Cyril now. Nobody would. He's as meek
as Moses, and has been ever since his two young sons were laid in his
reluctant, trembling arms. He breaks into a cold sweat at nothing, and
moves about his own home as if he were a stranger and an interloper,
endured merely on sufferance in this abode of strange women and strange
babies.”
“Nonsense!” scoffed Aunt Hannah.
“But it's so,” maintained Billy, merrily. “Now, for instance. You know
Cyril always has been in the habit of venting his moods on the piano
(just as I do, only more so) by playing exactly as he feels. Well, as
near as I can gather, he was at his usual trick the next day after the
twins arrived; and you can imagine about what sort of music it would be,
after what he had been through the preceding forty-eight hours.
“Of course I don't know exactly what happened, but Julia--Marie's second
maid, you know--tells the story. She's been with them long enough to
know something of the way the whole household always turns on the pivot
of the master's whims; so she fully appreciated the situation. She
says she heard him begin to play, and that she never heard such queer,
creepy, shivery music in her life; but that he hadn't been playing five
minutes before one of the nurses came into the living-room where Julia
was dusting, and told her to tell whoever was playing to stop that
dreadful noise, as they wanted to take the twins in there for their nap.
“'But I didn't do it, ma'am,' Julia says. 'I wa'n't lookin' for losin'
my place, an' I let the young woman do the job herself. An' she done
it, pert as you please. An' jest as I was seekin' a hidin'-place for the
explosion, if Mr. Henshaw didn't come out lookin' a little wild, but as
meek as a lamb; an' when he sees me he asked wouldn't I please get him a
cup of coffee, good an' strong. An' I got it.'
“So you see,” finished Billy, “Cyril is learning things--lots of
things.”
“Oh, my grief and conscience! I should say he was,” half-shivered Aunt
Hannah. “_Cyril_ looking meek as a lamb, indeed!”
Billy laughed merrily.
“Well, it must be a new experience--for Cyril. For a man whose daily
existence for years has been rubber-heeled and woolen-padded, and whose
family from boyhood has stood at attention and saluted if he so much as
looked at them, it must be quite a change, as things are now. However,
it'll be different, of course, when Marie is on her feet again.”
“Does she know at all how things are going?”
Public-domain text, read in full here on John Shaqi.
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