Miss Cheyne of Essilmont, Volume 3 (of 3)Grant, James
History
Miss Cheyne of Essilmont, Volume 3 (of 3)
Grant, James
Fiction
Alone--alone at Coomassie. Was not this some horrible nightmare, and
not a reality, crushing and bewildering? for but two fates seemed to
await him. If he did not die of hunger in the wilderness, he would
be sure to be tracked and taken; and then, if not killed at once, he
would be doomed to a lingering death by torture in Coomassie, or what
remained of it--tortures such as devils alone could devise.
He made an attempt to stand, but all power of volition seemed to have
left him; he fell again into the leafy hollow, and for a time
remembered no more.
CHAPTER III.
THE LOST ONE.
And where all this time was Alison Cheyne, after whom--as the chief
of our _dramatis personæ_--we must needs look now?
When consciousness returned to her, after wildly grasping the bell in
the porte-cochère of a large house on that night of snow and terror,
and when, fluttering, her white eyelids unclosed, after what seemed a
long sleep, she looked round her like a little scared bird, in utter
bewilderment, and, believing that she was dreaming, closed them again.
A bell ringing at a distance roused her, and she looked again, and
became convinced that what she looked on was no dream, and her eyes
wandered about with a dazed expression.
She was in a little room, with whitewashed walls, and a floor of
plain polished wood, on which lay a tiny patch of faded carpet. The
sunbeams were creeping through the closed blinds, and a fire burned
cheerfully in a little black iron stove. She lay in a pretty bed,
with the softest of pillows and sheets; it was of plain iron, and
without curtains.
Above the mantelpiece, in a simple frame, hung an engraving from
Rubens' picture of 'St. Theresa interceding for the Souls in
Purgatory,' the three principal souls being--in a spirit of
waggery--faithful portraits of the artist's three wives. On one side
of this was a little Madonna on a bracket, with a red crystal lamp
hung before it; on the other a crucifix, below which was a tiny font
of Antwerp china.
Other ornaments--save a few flowers in a vase--the apartment had
none, and its furniture--two cane-seated chairs and a deal table--was
of the simplest kind.
In one of the chairs sat a young woman dressed like a nun, with a
black robe and white hood, a large bronze crucifix and wooden beads
at her cord girdle; her down-cast face had a sweet, placid, and even
beautiful expression, and she was sedulously working, with the
whitest of hands, at a large piece of gold embroidery on cloth of
silver--a portion of a priest's vestments apparently, while glancing
attentively from time to time down on her patient or up at two pretty
little love-birds in a brass cage.
Alison took in all these details at one rapid glance, and great
terror seized her that something strange had befallen her, that she
was in the care of a nursing sister.
'Where am I?' she said, faintly.
Public-domain text, read in full here on John Shaqi.
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