American fiction -- 19th century; Love stories; Romance fiction, American
She put her hands behind her, and bracing herself against the rock,
told it from beginning to end, in her coolest, most daring way, even
with a half-defiant air. If she had been telling some one else’s story,
she could not have been more caustic and unsparing, more determined
to soften no harsh outline, or smooth over anything. She set the girl
Lisbeth before her listener, just as Lisbeth Crespigny at seventeen
had been. Selfish, callous, shallow, and deep, at once: restless,
ungrateful, a half-ripe coquette, who, notwithstanding her crudeness,
was yet far too ripe for her age. She pictured the honest, boyish
young fellow, who had fallen victim to her immature fascinations,
simply because he was too guileless and romantic to see in any woman
anything but a goddess. She described his sincerity, his unselfish
willingness to bear her caprices, and see no wrong in them; his lavish
affection for every thing and every one who shared his love for her;
his readiness to believe, his tardiness to doubt and see her as she
really was; the open-hearted faith which had made the awakening so much
harder to bear, when it forced itself upon him at last. She left out
the recital of no petty wrong she had done him, and no small tyranny
or indignity she had made him feel. She told the whole story, in fact,
as she saw it now; not as she had seen it in that shallow, self-ruled
girlhood; and when she had touched upon everything, and ended with that
last scene in the garden, among Aunt Clarissa’s roses, she stopped.
And there was a silence.
Georgie’s eyelashes were wet, and so were her cheeks. A tear or so
stained her pink cravat. It was so sorrowful. Poor Hector again! And
then, of course, poor Lisbeth! By her own showing, Lisbeth deserved
no pity; but the warm young heart gave her pity enough, and to spare.
Something had been wrong somewhere. Indeed, it seemed as if everything
had been wrong, but--Poor Lisbeth! She was so fond of Lisbeth herself,
and mamma was so fond of her, and the Misses Tregarthyn. So many people
were fond of Lisbeth.
And then Lisbeth’s voice startled her. A new voice, tremulous and as if
her mood was a sore and restive one.
“You are crying, of course, Georgie? I knew you would.”
“I have been crying.”
Pause enough to allow of a struggle, and then--
“Well, since you are crying, I suppose I may cry, too. It is queer
enough that I should cry, but--” And to Georgie’s amazement and
trouble, Lisbeth put her hand up on the rough rock, and laid her face
against it.
“Lisbeth!” cried the girl.
“Wait a moment,” said Lisbeth. “I don’t know what has come over me. It
is a new thing for me. I--I----”
It was a new thing, indeed, and it did not last very long. When she
raised her head, and turned again, her eyelashes were wet, too, and she
was even pale.
“Ah, Lisbeth!” said Georgie, pitying her, “you are sorry.”
Lisbeth smiled, faintly.
Public-domain text, read in full here on John Shaqi.
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