England -- Social life and customs -- 19th century -- Fiction; Guardian and ward -- Fiction; Love stories; Villages -- England -- Fiction
She was an only child, about nine years old, of tall and slim make,
with a straight back and a well-balanced head. The face was oval,
but too thin for prettiness; indeed, nobody called Jean pretty. She
had a pale complexion, light hair cut short like a boy's, and odd
greenish-brown eyes, in sunshine yellowish like a topaz, and capable of
expression to any degree. Jean wore a loose brown holland frock, and
held in one hand a brown hat, round the crown of which a brown ribbon
was tied. Simplicity could not further go.
"Oswald!" she cried.
No answer came.
Jean waited patiently for some seconds, a hungry look in her eyes. Then
she called again:
"Oswald! Os-wald! I'm here!"
A figure emerged from the gooseberry bushes, where it had been stooping
out of sight.
"What are you making that noise for, Jean?"
"I want Oswald, aunt Marie."
"Well, you must have patience. He will come in good time."
The tone was not unkind; it was only indifferent. Mrs. or Madame
Collier was not a person to enter into a child's desires.
Jean had no mother. She could barely remember her mother. Mrs. Collier,
the widowed sister of Mr. Trevelyan, had lived there almost as far back
as Jean's memory could reach, keeping house for her brother, precisely
as old Mrs. Willoughby had lived with old Sir John Devereux, keeping
house for him since Sybella's infancy. Sybella's complaints of many
widowers in the neighbourhood was not without foundation.
Mrs. Collier's real name was Maria. Having married a Frenchman—in
virtue of which she was still known as Madame Collier—and having spent
her married life abroad, she preferred to be called 'Marie.' She was
perhaps some five years older than Sybella, with the air of twenty
years' seniority. She was angular in make, with high cheek-bones,
marked feature, iron-grey hair, and permanent sunburn. Moreover, she
wore caps indoors and old fashioned bonnets out of doors. She could
occasionally appear en grande tenue; yet her usual attire was a very
embodiment of plainness. At this moment, she had on a rusty black
alpaca, frayed at the edges; a big crochet shawl, secured in front
by a skewer-like pin; and an enormous garden hat of untrimmed straw,
reminiscence of foreign life.
Marie Collier had been tossed early upon her own feet, and forced to
stand alone, if she would stand at all. This was bracing, to begin
with! Probably she could never, under any conditions, have been turned
into a helpless young (?) lady of thirty-nine, unable to endorse
a cheque, but no doubt a somewhat different creature might under
differing influences have emerged from the chrysalis stage of existence.
The Trevelyan nature was one which needed softening, since it stiffened
easily; and softening influences had not in her case been abundant.
Both her early life and her married life had been to a great extent
hardening.
Public-domain text, read in full here on John Shaqi.
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