Authors, English -- 19th century -- Correspondence; Eden, Emily, 1797-1869 -- Correspondence
MY DEAREST SISTER, We are now quite alone for the first time since I
came--that is, the Wynns are here still, but they are part of being
alone, and we have never before been so few, and I must say that it is
uncommonly pleasant after so much company. The mere comfort of being
able to go about the house with _rough_ hair, or a _tumbled_ frill, and
in an old black gown, is not to be despised, and there is some pleasure
in taking up a book in the evening and yawning over it, and then saying
anything that comes uppermost, without thinking. We are very busy,
dressing little dolls for Lord Grantham’s Theatre, which is one of the
most ingenious pieces of mechanism I ever saw, and one of the prettiest
things altogether. There is to be a grand representation to-night, and
we have been rehearsing all the last week. It takes nine people to
manage the scenery, figures, and music, and we all of us lose our
tempers at it regularly every morning. I act the orchestra, and whilst I
am playing away to the best of my power the music belonging to any
particular scene, Anne[73] and Lady Grantham, who manage the figures,
get into some hobble, and the music is finished before the action to
which it belongs is begun, so that Harlequin and Columbine have to dance
out without any time to assist them. I believe nothing in the world
could ruffle Lord Grantham’s temper; but these theatrical difficulties
go nearer to it than anything else, and while he is explaining to Lady
Grantham that the figures will move if she takes pains, and to me that
the music is quite long enough if I will but play slower, it may be
rather provoking that Freddy[74] should let down the wrong trap-door,
Anne set her sleeves on fire in one of the lamps, Mary[75] turn the
cascade the wrong way, so that the water runs up instead of down; Thomas
the footman should let down a light blue sky to a dark moonlight scene,
and Shaw should forget the back scene altogether, so that his coat and
buttons and white waistcoat are figuring away in the distance of the
Fire King’s Palace. However, patience and scolding have overcome these
little difficulties, and our last rehearsal was perfect.
Public-domain text, read in full here on John Shaqi.
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