"A clever Frenchman once said, 'On revient toujours à ses premiers amours.' Let us suppose this to have been said of a woman who, in her first youth, had loved a man and jilted him, and then, after many years and much sorrow, her heart returned again to him with a love and constancy unknown before. Cannot the past teach you to read between the lines? I did not write to you of my engagement; but now that it is over, and I am free, I find myself instinctively seeking the old shelter of your friendship, which at one time was never denied me; appealing to the old sympathy to which I then never appealed in vain. Are you astonished--surprised? I am not. In those old days--whose glory is not yet faded, over whose memory 'Requiescant in pace' has not yet been written--I came to you at all times, and you refused me nothing save one thing--once. So now I creep back to the old refuge, and bid you fold down the cere-cloth from our dead past, and see if still, after all these years, it does not look somewhat fair; if still there does not cling to it the memory of those old days; of blue skies, bluer waters, sweet roses, sweeter vows, bright sunshine, brighter promises! My marriage engagement is broken, Philip. Why? I can give no reason. He was all that the world calls worthy, and I believe he loved me; yet I found him wanting. Memory is a rare and delusive beautifier, and my memory is sadly tenacious of the past; therefore I am free. I could not be dishonest to him, even though I would. Yes, I am free, and I am writing you after years of silence. I wonder will you smile over this half-confession, and say, 'Impetuous as ever!' or will you understand, and, so understanding, send me the answer I desire? But should you choose to misconstrue my words, I can but say that I have wished to be honest, however late in the day. Write to me, Philip, or better, come to me. After all, I am but a woman, and a very weak one. "PATRICIA." This was the letter that awaited Philip Tremain on his breakfast-table, one bright spring morning of that most fickle, yet most beautiful month, April. Even as he entered the room he became aware of its subtle presence made known to him by its faint, dead odour of violets; consequently it caused him no great shock of surprise to find the large, square envelope, sealed with the device of a lighted candle and a silly moth, and the motto "Delusion" below a monogram; with the firm handwriting forming his name and address looking up at him from its dainty surroundings of silver and damask. As the face of a once dearly loved friend, neglected yet not forgotten, comes back to one from out the mists of memory, recalled unexpectedly by some trivial circumstance--a strain of music, a line of poetry, a faded flower.