But in Miss Ludington's case the transition had been piteously sharp and
abrupt.
With others, ere youth is fully past its charms are well-nigh forgotten
in the engrossments of later years; but with her there had been nothing
to temper the bitterness of her loss.
During the long period of invalidism which followed her sickness her only
solace was a miniature of herself, at the age of seventeen, painted on
ivory, the daguerrotype process not having come into use at this time,
which was toward the close of the third decade of the present century.
Over this picture she brooded hours together when no one was near,
studying the bonny, gladsome face through blinding tears, and sometimes
murmuring incoherent words of tenderness.
Her young friends occasionally came to sit with her, by way of enlivening
the weary hours of an invalid's day. At such times she would listen with
patient indifference while they sought to interest her with current local
gossip, and as soon as possible would turn the conversation back to the
old happy days before her sickness. On this topic she was never weary of
talking, but it was impossible to induce her to take any interest in the
present.
She had caused a locket to be made, to contain the ivory miniature of
herself as a girl, and always wore it on her bosom.
In no way could her visitors give her more pleasure than by asking to see
this picture, and expressing their admiration of it. Then her poor,
disfigured face would look actually happy, and she would exclaim, "Was
she not beautiful?" "I do not think it flattered her, do you?" and with
other similar expressions indicate her sympathy with the admiration
expressed. The absence of anything like self-consciousness in the delight
she took in these tributes to the charms of her girlish self was pathetic
in its completeness. It was indeed not as herself, but as another, that
she thought of this fair girl, who had vanished from the earth, leaving a
picture as her sole memento. How, indeed, could it be otherwise when she
looked from the picture to the looking-glass, and contrasted the images?
She mourned for her girlish self, which had been so cruelly effaced from
the world of life, as for a person, near and precious to her beyond the
power of words to express, who had died.
From the time that she had first risen from the sick-bed, where she had
suffered so sad a transformation, nothing could induce her to put on the
brightly coloured gowns, beribboned, and ruffled, and gaily trimmed,
which she had worn as a girl; and as soon as she was able she carefully
folded and put them away in lavender, like relics of the dead. For
herself, she dressed henceforth in drab or black.
For three or four years she remained more or less an invalid. At the end
of that time she regained a fair measure of health, although she seemed
not likely ever to be strong.
Public-domain text, read in full here on John Shaqi.
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