Detective and mystery stories; Love stories; Social secretaries -- Fiction; Young women -- Fiction
"It’s what you haven’t done. We expect people to come here worn and
weary and then blossom like the rose. You’ve gone back on the
tradition."
She stretched a hand for a bundle of knitting—a soldier’s muffler—on the
table beside her:
"I don’t feel worn or weary and I’m sorry I look so."
"Oh, you always _look_ lovely," he hastily assured her. "I didn’t mean
that it wasn’t becoming. But—er—er—what I wanted to say was—er—why is
it?"
Miss Maitland began to knit, her face bent over the work, her dark head
backed by the green distances of the lawn. Ferguson thought she had the
most beautifully shaped head he had ever seen. He would like to have
leaned back in his chair studying its classic outline. But he was there
for a purpose and he held himself sternly to it, looking at her profile
and trying to forget that it was as fine as her head.
"I don’t know why it is," she answered, "but I do know that you’re not
very complimentary."
"If you give me a dare like that I’ll show you how complimentary I _can_
be. But I’ll put that off until later. What I think is that you’re
worrying—that the robbery has got on your nerves."
"Why should it get on my nerves?"
He was aware of her eyes—diverted from the knitting—looking curiously at
him:
"Why, it’s been so—so—unpleasant, all this fuss and publicity. It’s been
a shock."
Her hands with the knitting dropped into her lap. She was now staring
fixedly at him:
"Do you mean that I’m worrying because I think I may be suspected of
it?"
He was shocked to angry repudiation.
"Good Lord, no! What a thing to say!"
She took up her work, and answered with cool composure:
"Nevertheless I _have_ wondered if anybody ever thought it. You see I’m
the only one in the house—the only one who knows the combination—who
_is_ a sort of stranger. Dixon and Isaac are like members of the
family."
"Don’t talk such rubbish," he protested, then leaning nearer, "Have you
had _that_ on your mind all this time? Is _that_ what’s made the
change?"
She looked up at him, startled:
"Change—what change?"
"Change in you. Yes," in answer to the disturbed inquiry of her glance,
"there is one. I’ve noticed it; other people have."
"What do you mean?"
"Why, you’re different, you’ve lost your good spirits. You’re not like
you were before this happened."
Her response came with something combative in its countering quickness:
"I’m busier than I used to be. Since the robbery I’ve taken over a good
deal of the housekeeping. Mrs. Janney has been much more upset than you
guess."
"And you’re so withdrawn, keep more to yourself. I used to find you
about when I came over; now I almost never see you."
The interview had taken on the character of a verbal duel, he thrusting,
she parrying, both earnest and insistent.
"I’ve just told you; I have more work, I’ve not the leisure I used to
have."
"So busy you have to shun people?"
"That’s absurd, you imagine it. I’ve never shunned any one and there’s
no reason why I should."
Public-domain text, read in full here on John Shaqi.
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