Bildungsromans; Love stories; Young women -- England -- Fiction
"Oh, no," said Lucilla, "I never make mistakes. I don't mean to sing
_to_ him, you know; but you are just the very person I wanted. As for
the ridiculous idea some people have that nobody can be called on who
does not live in Grange Lane, I assure you I mean to make an end of
that. Of course I cannot commence just all in a moment. But it would
always be an advantage to practise a little together. I like to know
exactly how far one can calculate upon everybody; then one can tell,
without fear of breaking down, just what one may venture to do."
"I don't understand in the least," said Barbara, whose pride was up in
arms. "Perhaps you think I am a professional singer?"
"My dear, a professional singer spoils everything," said Miss
Marjoribanks; "it changes the character of an evening altogether. There
are so few people who understand that. When you have professional
singers, you have to give yourself up to music; and that is not my view
in the least. My great aim, as all my friends are aware, is to be a
comfort to dear papa."
"I wish you would not talk in riddles," said Lucilla's amazed and
indignant companion, in her round rich contralto. "I suppose you really
are Miss Marjoribanks. I have always heard that Miss Marjoribanks was a
little----"
"There!" said Lucilla triumphantly; "really it is almost like a
recitativo to hear you speak. I am so glad. What have you got there? Oh,
to be sure, it's _that_ duet out of the Trovatore. Do let us try it;
there is nobody here, and everything is so convenient--and you know it
would never do to risk a breakdown. Will you play the accompaniment, or
shall I?" said Miss Marjoribanks, taking off her gloves. As for the
drawing-master's daughter, she stood aghast, lost in such sudden
bewilderment and perplexity that she could find no words to reply. She
was not in the least amiable or yielding by nature; but Lucilla took it
so much as a matter of course that Barbara could not find a word to
say; and before she could be sure that it was real, Miss Marjoribanks
had seated herself at the piano. Barbara was so obstinate that she would
not sing the first part, which ought to have been hers; but she was not
clever enough for her antagonist. Lucilla sang her part by herself
gallantly; and when it came to Barbara's turn the second time, Miss
Marjoribanks essayed the second in a false voice, which drove the
contralto off her guard; and then the magnificent volume of sound flowed
forth, grand enough to have filled Lucilla with envy if she had not been
sustained by that sublime confidence in herself which is the first
necessity to a woman with a mission. She paused a moment in the
accompaniment to clap her hands after that strophe was accomplished, and
then resumed with energy. For, to be sure, she knew by instinct what
sort of clay the people were made of by whom she had to work, and gave
them their reward with that liberality and discrimination which is the
glory of enlightened despotism.
Public-domain text, read in full here on John Shaqi.
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