Bildungsromans; Love stories; Young women -- England -- Fiction
"Two-and-twenty years!" exclaimed Lucilla. "I don't mind talking before
Tom, for he is one of the family. The things are all the same as they
were when mamma came home, though, I am sure, nobody would believe it. I
think it is going against Providence, for my part. Nothing was ever
intended to last so long, except the things the Jews, poor souls! wore
in the desert, perhaps. Papa, if you have no objection, I should like to
choose the colours myself. There is a great deal in choosing colours
that go well with one's complexion. People think of that for their
dresses, but not for their rooms, which are of so much more importance.
I should have liked blue, but blue gets so soon tawdry. I think," said
Miss Marjoribanks, rising and looking at herself seriously in the glass,
"that I have enough complexion at present to venture upon a pale spring
green."
This little calculation, which a timid young woman would have taken care
to do by herself, Lucilla did publicly, with her usual discrimination.
The Doctor, who had looked a little grim at first, could not but laugh
when he saw the sober look of care and thought with which Miss
Marjoribanks examined her capabilities in the glass. It was not so much
the action itself that amused her father, as the consummate ability of
the young revolutionary. Dr Marjoribanks was Scotch, and had a respect
for "talent" in every development, as is natural to his nation. He did
not even give his daughter that credit for sincerity which she deserved,
but set it all to the score of her genius, which was complimentary,
certainly, in one point of view; but the fact was that Lucilla was
perfectly sincere, and that she did what was natural to her under
guidance of her genius, so as always to be in good fortune, just as Tom
Marjoribanks, under the guidance of his, brought discredit even upon
those eternal ordinances of English government which fixed the time of
the Carlingford assizes. Lucilla was quite in earnest in thinking that
the colour of the drawing-room was an important matter, and that a woman
of sense had very good reason for suiting it to her complexion--an idea
which accordingly she proceeded to develop and explain.
"For one can change one's dress," said Miss Marjoribanks, "as often as
one likes--at least as often, you know, as one has dresses to change;
but the furniture remains the same. I am always a perfect guy, whatever
I wear, when I sit against a red curtain. You men say that a woman
always knows when she's good-looking, but I am happy to say _I_ know
when I look a guy. What I mean is a delicate pale green, papa. For my
part, I think it wears just as well as any other colour; and all the
painters say it is the very thing for pictures. The carpet, of course,
would be a darker shade; and as for the chairs, it is not at all
necessary to keep to one colour. Both red and violet go beautifully with
green, you know. I am sure Mr Holden and I could settle all about it
without giving you any trouble."
Public-domain text, read in full here on John Shaqi.
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