At this point there emerged from the shadowy region at the back a
servant in livery, who very deliberately, and without explanation of
his tardiness, proceeded to help the driver in carrying my box into the
hall.
The gentleman bowed himself away, and in another moment I was following
the servant up a vast and interminable flight of stone stairs.
The vaulted roof rose high above us, half lost to sight in shadow;
everywhere were glimpses of galleries and corridors, and over
everything hung that indescribable atmosphere of chill stuffiness which
I have since learned to connect with Italian palaces.
Anything less homelike, less suggestive of a place where ordinary human
beings carried on the daily, pleasant avocations of life, it would be
impossible to conceive. A stifling sensation rose in my throat as we
passed through a folding glass-door, across a dim corridor, into a
large room, where my guide left me with a remark which of course I
did not understand. With a sense of unutterable relief I perceived the
room to be empty, and I sat down on a yellow damask sofa, feeling an
ignominious desire to cry. The shutters were closed before the great
windows, but through the gloom I could see that the place was furnished
very stiffly with yellow damask furniture, while enormous and elaborate
chests and writing-tables filled up the corners. A big chandelier
shrouded in yellow muslin hung from the ceiling, which rose to a great
height, and was painted in fresco. There was no fire, and I looked at
the empty gilt stove, which had neither bars nor fire-irons, with a
shiver.
It was not long before an inner door was thrown open to admit two
ladies, who came towards me with greetings in French. The Marchesa
Brogi was a small, vivacious, dried-up woman of middle age, with an
evident sense of her own dignity, looking very cold and carrying a
little muff in her hands.
She curtseyed slightly as we shook hands, then motioned me to a seat
beside her on the sofa. "This is my daughter Bianca," she said, turning
to the girl who had followed her into the room.
I looked anxiously at my pupil, whose aspect was not altogether
reassuring. She was a tall, pale, high-shouldered young person,
elaborately dressed, with a figure so artificially bolstered up that
only by a great stretch of imagination could one realize that she was
probably built on average anatomical lines. Her hair, dressed on the
top of her head and struck through with tortoiseshell combs, produced
by its unnatural neatness the same effect of unreality. She was
decidedly plain withal, and her manners struck me as being inferior to
those of her mother and brother. She took up her seat at some little
distance from the sofa, and whenever I glanced in her direction, I saw
a pair of sharp eyes fixed on my face, with something of the unsparing
criticism of a hostile child in their gaze.
Public-domain text, read in full here on John Shaqi.
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