Detective and mystery stories, English; England -- Social life and customs -- 19th century -- Fiction; Love stories
"Let us waive the point. Well, we were suddenly alarmed by a shout on
deck, 'Man over-board!' We both rushed up the cabin stairs, naturally
under the impression that one of our crew had fallen into the sea: an
impression shared, I ought to add, by the man at the helm, who had given
the alarm."
Sir Joseph paused again. He was approaching one of the great dramatic
points in his story, and was naturally anxious to present it as
impressively as possible. He considered with himself, with his head a
little on one side. Miss Lavinia considered with _herself_, with _her_
head a little on one side. Natalie laid down her knife again, and again
touched Launce under the table. This time there were five pieces of ham
ranged longitudinally on the plate, with one piece immediately under
them at the center of the line. Interpreted by the Code, this signal
indicated two ominous words, "Bad news." Launce looked significantly
at the owner of the yacht (meaning of the look, "Is he at the bottom of
it?"). Natalie frowned in reply (meaning of the frown, "Yes, he is").
Launce looked down again into the plate. Natalie instantly pushed all
the pieces of ham together in a little heap (meaning of the heap, "No
more to say").
"Well?" said Richard Turlington, turning sharply on Sir Joseph. "Get on
with your story. What next?"
Thus far he had not troubled himself to show even a decent pretense of
interest in his old friend's perpetually-interrupted narrative. It was
only when Sir Joseph had reached his last sentence--intimating that the
man overboard might turn out in course of time not to be a man of the
pilot-boat's crew--it was only then that Turlington sat up in his chair,
and showed signs of suddenly feeling a strong interest in the progress
of the story.
Sir Joseph went on:
"As soon as we got on deck, we saw the man in the water, astern. Our
vessel was hove up in the wind, and the boat was lowered. The master and
one of the men took the oars. All told, our crew were seven in number.
Two away in the boat, a third at the helm, and, to my amazement, when
I looked round, the other four behind me making our number complete.
At the same moment Mahogany Dobbs, who was looking through a telescope,
called out, 'Who the devil can he be? The man is floating on a hen-coop,
and we have got nothing of the sort on board this pilot-boat.'"
The one person present who happened to notice Richard Turlington's
face when those words were pronounced was Launcelot Linzie. He--and he
alone--saw the Levant trader's swarthy complexion fade slowly to a
livid ashen gray; his eyes the while fixing themselves on Sir Joseph
Graybrooke with a furtive glare in them like the glare in the eyes of a
wild beast. Apparently conscious that Launce was looking at him--though
he never turned his head Launce's way--he laid his elbow on the table,
lifted his arm, and so rested his face on his hand, while the story went
on, as to screen it effectually from the young surgeon's view.
Public-domain text, read in full here on John Shaqi.
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