Singers -- Juvenile fiction; Young women -- Juvenile fiction
"She's perfectly dreadful, Mrs. Nat," she confided as she slipped to her
old friend's side, leaving Patricia to Elinor for the rest of the walk.
"She doesn't care a bit about how she looks. Lots of people turned to
stare at us."
Mrs. Spicer nodded approval of Patricia's reckless course. "Don't you
fret, my dear," she soothed Judith. "Miss Pat is worth looking at any
time and folks like to see a real happy person once in a while. Land
knows why we're all so afraid to show our joyful side to the world. Let
her alone. Good times don't last too long for any of us."
Judith meditated on this bit of wisdom and she watched Patricia closely
when they reached the street where the house was located. There was no
clouding of the bright face, however, at the sight of the substantial
graystone building, and Judith drew a sigh of relief that Patricia's
happy hour was lengthened by so much.
"Isn't it a perfect duck of a place?" said Patricia as they stood at the
wide entrance door. "It's just like some of the old houses I saw in
Belgium last summer--only fresher and newer, of course."
"Margaret said it was modeled after an old French house," said Elinor,
reaching for the shiny brass knob at the side of the green door. "The
people who planned it wanted to get what they called 'artistic
atmosphere' and a suitable setting for the budding geniuses within
doors."
"And they hit the nail on the head, _smack_," agreed Mrs. Nat as the
door swung open and a glimpse of a wide, paved inner courtyard made an
interesting background for the respectable, stout elderly woman who,
like the concierge abroad, guarded the entrance.
They were ushered across the courtyard--Patricia all the while gaping
shamelessly about at the four house-walls that formed the square about
the courtyard--and went up a red-carpeted, stone stair to the first
floor of the house, where they followed their affable guide through a
succession of passages, coming at last into a huge room at the door of
which she left them.
There was a murmur of well-modulated voices, a hum of light chatter, and
as they paused on the threshold for a moment, the sound of a couple of
notes struck carelessly on a piano made Patricia's cheeks glow.
"Isn't it a stunning big room?" she said in an undertone to Elinor, who
nodded appreciatively as she led the way into the nearest corner where a
comfortable divan and a couple of chairs stood invitingly empty.
The room was filled with girls of varying ages, with a scattering of
guests, and although it was as yet too early for tea, the place was
alive with chatting groups, some of whom had secured little tables
against future needs. The tea-table was at one end of the room, and the
big brass samovar was already sending out encouraging clouds of steamy
vapor. The girl behind the urn attracted Patricia's immediate attention.
"Look, Norn," she said in eager interest. "Isn't that Doris Leighton at
the tea-table? It's enough like her to be her twin, if it isn't
herself."
Public-domain text, read in full here on John Shaqi.
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