Kate was never happier than when she had permission to spend the day
with Miss Theodora. Paying little attention to the charges of Marie, her
French maid, to "Walk quietly like a little lady," she would hop and
skip along the Garden mall and up the hill to Miss Theodora's house.
What joy, when Marie had been dismissed and sent home, to sit beside
Miss Theodora and learn some fancy stitch in crochet, or perhaps go to
the kitchen to help Diantha make cookies.
"Our cook won't even let me go down the back stairs, and I've only been
in our kitchen once in my life; and I just love Diantha for giving me
that dear little rolling-pin, and showing me how to make cookies."
Kate was almost as fond of Miss Chatterwits as of Diantha. One of her
chief childish delights was the privilege sometimes accorded her of
spending an afternoon in the little suite of rooms occupied by the
seamstress and her sisters. Besides the old claw-foot bureau and
high-back chairs in her bedroom, the heavy fur tippet and faded cashmere
shawl--either of which she donned (according to the season) on
especially great occasions--Miss Chatterwits had a few treasures, relics
of a more opulent past. These she always showed to Kate and Ernest when
they visited her, as a reward for previous good behavior.
Ernest was usually less interested in these treasures than Kate. He
liked better to talk to the green parrot that blinked and swung in its
narrow cage in the room where lay the little seamstress's bedridden
sister. But for Kate, the top drawer of Miss Chatterwits' bureau
contained infinite wealth. The curious Scotch pebble pin, the silver
bracelets, the long, thin gold chain, the old hair brooches, and, best
of all, that curious spherical watch, without hands, without works,
seemed to Kate more beautiful and valuable than all the jewelry in the
velvet-lined receptacles of her mother's jewel casket. More attractive
still was a shelf in the closet off Miss Chatterwits' bedroom. On this
shelf was a row of pasteboard boxes, uniform in size, wherein were
stored scraps of velvet, silk and ribbon, gingham, cloth and
muslins--fragments, indeed, of all the dresses worn by Miss Chatterwits
since her sixteenth year. As materials had not been bought by Miss
Chatterwits since her father's death had left her penniless, a good
thirty years before Kate knew her, the pieces in the boxes were genuine
curiosities.
"Why didn't you ever get married, Miss Chatterwits?" asked Ernest one
day when he and Kate were paying her a visit.
"Oh, I don't know;" and the old lady simpered with the same
self-consciousness that prompts the girl of eighteen to blush when
pointed questions are put to her; and when Ernest, who always wanted a
definite answer to every question, persisted, she added with a sigh,
"Well, I suppose I was hard to suit." Then, as if in amplification of
this reply, she began to sing to herself the words of an old-fashioned
song, which the children had heard her sing before:--
Public-domain text, read in full here on John Shaqi.
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