Inside the little white cottage, however, in Miss Martin's
sitting-room--so queer and fascinating with its “forms,” its samples
and “trimmings” pinned to the curtains, its alluring display of fashion
magazines and “charts,” and its eternal litter of varicoloured scraps
over the floor--Missy's momentary dejection could but vanish. Finally,
when in Miss Martin's artfully tilted cheval glass, she surveyed the
pink vision which was herself, gone, for the time, was everything of
sadness in the world. She turned her head this way and that, craning to
get the effect from every angle-the bouffance of the skirt, the rosebuds
wreathing the sides, the butterfly sash in the back. Adjured by Miss
Martin to stand still, she stood vibrantly poised like a lily-stem
waiting the breath of the wind; bade to “lift up your arms,” she obeyed
and visioned winged fairies alert for flight. Even when Miss Martin,
carried away by her zeal in fitting, stuck a pin through the pink tissue
clear into the warmer, softer pink beneath, Missy scarcely felt the
prick.
But, at the midday dinner-table, that sympathetic uneasiness returned.
Father, home from the office, was full of indignation over something
“disgraceful” he had heard down town. Though the conversation was held
tantalizingly above Missy's full comprehension, she could gather that
the “disgrace” centred in the bachelor dinner which Mr. Hackett had
given at the Commercial House the night before. Father evidently held no
high opinion of the introduction of “rotten Cleveland performances” nor
of the man who had introduced them.
“What 'rotten Cleveland performances'?” asked Missy with lively
curiosity.
“Oh, just those late, indigestible suppers,” cut in mother quickly.
“Rich food at that hour just kills your stomach. Here, don't you want
another strawberry tart, Missy?”
Missy didn't; but she affected a desire for it, and then a keen interest
in its consumption. By this artifice, she hoped she might efface herself
as a hindrance to continuation of the absorbing talk. But it is a trick
of grown-ups to stop dead at the most thrilling points; though she
consumed the last crumb of the tart, her ears gained no reward, until
mother said:
“As soon as you've finished dinner, Missy, I wish you'd run over to
Greenleafs' and ask to borrow Miss Helen's new kimono pattern.”
Missy brightened. The sight of old Mrs. Greenleaf and Miss Princess,
bustling gaily about, would lift this strange cloud gathering so
ominously. She asked permission to carry along a bunch of sweet peas,
and gathered the kind Miss Princess liked best--pinkish lavender
blossoms, a delicious colour like the very fringe of a rainbow.
The Greenleafs' coloured maid let her in and showed her into the “den”
back of the parlour. “I'll tell Mrs. Greenleaf,” she said. “They're all
busy upstairs.”
Very busy they must have been, for Missy had restlessly dangled her feet
for what seemed hours, before she heard voices approaching the parlour.
Public-domain text, read in full here on John Shaqi.
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