"The pore maid did zing this," explained Uncle Anthony. "She was in a
wisht way, for maidens be vit fer nothin' 'cipt they've got a man by
'em. The man es the tree, an' the maid es an ivy-laif, and tha's oal
'bout it. But you do knaw, my deears, that when a man 'ave bin dead one
year, 'ee do allays cum back. Tha's religion, ed'n et then? Zo--
"A twelvemonth an' a day bein' gone,
The sperrit rised and spok:
"'My body es clay cowld, sweet'art,
My breath smells 'evvy an' strong;
And ef you kiss my cowld white lips,
Your time will not be long.'
"Ah, but thicky maid wos a true maid. She cudden rest till she 'ad
kissed the booy she loved; and w'en she'd kissed 'im once, she loved him
more and more. Zo she cried:
"Oa, wawn mooar kiss from yer dear cowld lips,
One kiss is oal I craave;
Oa, wawn mooar kiss from yer dear cowld lips,
An' return back to yer graave."
After this, Uncle Anthony sung in a low, wailing tone a stormy kind of
duet between the maid and what he called her "booy's sperrit," who tried
to make her accompany him to the world of shadows, and after much
weeping, she departed with her lover.
"And zo et es, my deears," remarked Uncle Anthony, "that trew luv is
stronger'n death."
"That's a wisht zong, sure enough, Uncle Anthony," remarked one of the
women, who at such times were allowed especial liberty. "Strick up
summin' purty and sweet and lively." Whereupon he sung a song about a
sailor who courted a rich nobleman's daughter "worth five hundred
thousan' in gould." This pleased them much, after which he started to
tell a story. At first he did not interest me, for my mind was filled
with many things; but presently I saw that his tale was original. He
brought in our meeting in the Molesworth Arms at Wadebridge, and
insinuated many surmises concerning me. He took a long time to tell the
story, for he weaved in a love episode, a duel, the appearance of a
ghost and a wizard, besides many droll sayings peculiar to the county;
but through it all I could see that he aimed at me, and gave hints that
he suspected I had other motives in coming to Endellion than those which
I had revealed. He described me as an unknown cavalier who wore a mask;
he also spoke of a wise man whose eyes pierced the mask. It is true he
dated the story in the far back past; all the same, I could not help
seeing his meaning. I doubt whether any of the listeners other than
myself saw his drift--but I felt sure that he had suspicions concerning
me. Whether his feelings were friendly or no, I could not gather;
neither could I understand his motive in so turning the story. The tale
was well liked, however, for the old man weaved it well. He ended it by
telling us that the maid wedded the man she loved, and that when she was
on her way to church, she trod on flowers strewn by angel hands, while
angel voices sung songs of hope and gladness to her.
Public-domain text, read in full here on John Shaqi.
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